Натурализм в драмe Л.Н. Толстого "Власть тьмы"

Title: Натурализм в драмe Л.Н. Толстого "Власть тьмы"
Transliterated title
Naturalizm v drame L.N. Tolstogo "Vlast' t'my"
Variant title:
  • Naturalism in the drama The power of darkness by L.N. Tolstoi
Source document: Slavica litteraria. 2010, vol. 13, iss. 1-2, pp. [55]-62
Extent
[55]-62
  • ISSN
    1212-1509 (print)
    2336-4491 (online)
Type: Article
Language
License: Not specified license
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
A comparison of the aesthetic system of Émile Zola, as the founder of European naturalism, with naturalist sequences in Tolstoi's drama The Power of Darkness, concentrated, similarly to those in the drama A Bitter Fate by A. F. Pisemsky, in the scene of the murder of a baby. Tolstoi's technique of drama is compared with his dramatical postulates expressed in his essay On Shakespeare and on dramaturgy. Tolstoi's drama is built on an anti-Shakespearean conception of dramatic illusion based on the life reality. Naturalism used in Tolstoi's drama The Power of Darkness intensifies its ethical meaning and moral message.
References
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[7] Толстой: 1983: Л. Н. Толстой. Ibid. Т. 16. Публицистические произведения 1855–1886.

[8] Толстой: 1984: Л. Н. Толстой. Ibid. Т. 17. Публицистические произведения 1886–1908.

[9] Wellek: 2005: René Wellek. Koncepty literární vědy. Jinočany 2005.

[10] Zola: 1880. Émile Zola. Le naturalisme au théâtre. Paris 1880.

[11] Zola: 1880. Émile Zola. Le Roman expérimental», 1880.

[12] Zola: 1893. Émile Zola: Les romanciers naturalistes. Paris 1893.

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