Digital Library of the Faculty of Arts, Masaryk University

Brno studies in English
2013, volume 39, issue 2

Issue title: The five senses of Canadian cinema
Year: 2013
Publication year: 2014
ISSN: 0524-6881 (print)
ISSN: 1805-0867 (online)
Note: Edited by Tomáš Pospíšil

Table of contents:

[5]-13 The five senses of Canadian cinema: introduction Pospíšil, Tomáš | pdficon
Part One: Bodies, Landscapes, Representations
[17]-35 Objects of vision: the polymorphic cinema of Michael Snow Browne, Dan | pdficon
[37]-53 Sirmilik, geographical experience, and the question of landscape Wilson, Samantha | pdficon
[55]-70 On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal Varga, Darrell | pdficon
[71]-88 Aura, aurora and aurality: the narrative of place in Picture of Light Clarkson, Nathan | pdficon
Part Two: Permeable Boundaries, Places-In-Between
[91]-106 In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways Leach, Jim | pdficon
[107]-121 Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" Herrera, José Rodríguez | pdficon
[123]-136 Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary Loiselle, André | pdficon
[137]-155 When seeing and hearing do not help: communication failures in Canadian films Arbeit, Marcel | pdficon
[156] Brno Studies in English | pdficon
[157] Guidelines for authors | pdficon

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