Title: Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting
Source document: Theatralia. 2014, vol. 17, iss. 2, pp. 191-222
Extent
191-222
-
ISSN1803-845X (print)2336-4548 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/130890
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] BRANDESKY, Joseph E. 2011. Permanent Interaction: Reflections on the Paintings and Designs of Jaroslav Malina. Theatralia 14 (2011): 1: 228‒43.
[2] KOUBSKÁ, Vlasta. 2008. Resonances between the Elemental and the Post-Modern. In Jaroslav Malina. Paintings and Designs. Lima: The Ohio State University, 2008: 13‒20.
[3] MALINA, Jaroslav. 2002. The outer and inner spaces of scenography: a conflict between geometry and emotion. In Malcolm Griffiths (ed.). Exploring Scenography. London: The Society of British Theatre Designers/The Nottingham Trent University, School of Art and Design, 2002: 75‒8.
[2] KOUBSKÁ, Vlasta. 2008. Resonances between the Elemental and the Post-Modern. In Jaroslav Malina. Paintings and Designs. Lima: The Ohio State University, 2008: 13‒20.
[3] MALINA, Jaroslav. 2002. The outer and inner spaces of scenography: a conflict between geometry and emotion. In Malcolm Griffiths (ed.). Exploring Scenography. London: The Society of British Theatre Designers/The Nottingham Trent University, School of Art and Design, 2002: 75‒8.