Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad

Title: Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad
Source document: Theatralia. 2018, vol. 21, iss. 2, pp. 79-94
Extent
79-94
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Article
Language
License: Not specified license
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
This essay aims to present the most significant approaches Vychodil used for designing stages for Shakespeare plays, and to compare the designs with others, more typical of Vychodil's aesthetic practice. The paper will, therefore, ask the following questions: (i) what demands do Shakespeare's plays make on the designer? and (ii) how does Vychodil, in particular, respond to these requirements? In constructing my argument, I have relied not only on well-known resources and monographs, but I have also used material from the archives of the Jerome Lawrence and Robert E. Lee Theatre Research Institute in Columbus, Ohio, which have not hitherto been sufficiently studied by other researchers.
References
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[2] BUDSKÝ, Josef. 1946. Do novej sezóny – so Shakespearom [New Season with Shakespeare]. As You Like It [Bulletin]. Bratislava: Slovenské národné divadlo, 1946, premiere 12. 10. 1946.

[3] BURIAN, Jarka M. 1981. Alfred Radok's Contribution to Post-War Czech Theatre. Theatre Survey 22: 2 (November 1981): 223. Downloaded from https://www.cambridge.org/core. The University of Hull, on 16 Nov 2017 at 22:48:00, subject to the Cambridge Core terms of use.

[4] BURIAN, Jarka M. and Ladislav VYCHODIL. 22. 4. 1975. Personal Communication [JAB. CD. 1.1.] Archive of the Jerome Lawrence and Robert E. Lee Theatre Research Institute in Columbus, Ohio.

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[10] R. Za legendou nášho divadelníctva [Behind the Legend of our Theatre]. Ladislav Vychodil (1920–2005). Hudobný život [Music Life] 37: 9–10 (2005): 8.

[11] SMIDT, Kristian. 1986. Romeo and Juliet at Det Norske Teatret. Shakespeare Quarterly [online] 37: 1 (Spring 1986): 111–114 [accessed 19. 11. 2015 23:16 UTC]. Stable URL: http://www.jstor.org/stable/2870200

[12] SUCHÁNEK, V. 15. 11. 2017. Personal communication at Café Berlinka in Bratislava (11:00–13:00).

[13] VYCHODIL, Ladislav. 1950. Problémy výtvarníka pri inscenácii Hamleta [Problems of the visual artist producing Hamlet]. Hamlet [Bulletin]. Bratislava: Slovenské národné divadlo, 1950.

[14] VYCHODIL, Ladislav. 1953. Z problematiky socialistického realizmu v práci javiskového výtvarníka [On the Issues of Socialist Realism in the Work of a Stage Designer] Divadelný zborník (1953): 143.

[15] ZHDANOV, Andrej A. 1934. Soviet Literature – The Richest in Ideas, the Most Advanced Literature. Soviet Writers Congress [online]. 1934 [accessed 15. 6. 2016]. Available from: https://www.marxists.org/subject/art/lit_crit/sovietwritercongress/zdhanov.htm