Review of How Theatre Means

Název: Review of How Theatre Means
Zdrojový dokument: Theatralia. 2015, roč. 18, č. 2, s. 493-498
Rozsah
493-498
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Článek
Jazyk
Licence: Neurčená licence
Reviewed work
Knowles, Ric. How theatre means. Basingstoke: Palgrave Macmillan, 2014. xi, 234 s. ISBN 978-0-2302-3235-8 (hb), 978-0-2302-3236-5 (pb).
 

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Reference
[1] COHEN, Ted. 2008. Thinking of Others: On the Talent for Metaphor. Princeton: Princeton University Press, 2008.

[2] DRÁBEK, Pavel. 2014. Functional Reformulations: Prague School and Intralingual Translation. In Barbora Příhodová and Tomáš Kačer (eds.). Prague Semiotic Stage Revisited II. A special issue of Theatralia 17: 2 (Autumn 2014): 81–95.

[3] FISCHER-LICHTE, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. Transl. by Saskya Iris Jain. Abingdon: Routledge, 2008. German original: Asthetik des Performativen (2004).

[4] GEARY, James. 2011. I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World. New York: HarperCollins, 2011.

[5] HONZL, Jindřich. 1940. Pohyb divadelního znaku [Dynamics of the Theatrical Sign]. Slovo a slovesnost [The Word and Verbal Art] 6 (1940): 177–88. An English translation by Irwin R. Titunik was published as 'Dynamics of the Sign in the Theater' in Ladislav Matějka and Irwin R. Titunik (eds). Semiotics of Art: Prague School Contributions. Cambridge (Mass.): MIT Press, 1976: 74–93.

[6] KOVESCES, Zoltan. 1993. Metaphor: A Practical Introduction. Oxford: Oxford University Press, 1993.

[7] MUKAŘOVSKÝ, Jan. 1982. An Attempt at a Structural Analysis of an Actor's Figure (Chaplin in City Lights). In Peter Steiner (ed.). The Prague School. Selected Writings 1929‒1946. Austin, 1982: 171‒7.

[8] OSOLSOBĚ, Ivo. 2010. Ostension. In Thomas A. Sebeok and Marcel Danesi (eds.). Encyclopedic Dictionary of Semiotics. 3rd revised and updated ed. Berlin, New York: Mouton de Gruyter, 2010.

[9] VELTRUSKÝ, Jiří. 1940. Člověk a předmět na divadle [Man and Object in the Theatre]. Slovo a slovesnost 6 (1940): 153–9. An English translation in Paul Garvin (ed.). 1964.

[10] A Prague School Reader on Esthetics, Literary Structure, and Style. Washington: Georgetown University Press, 1964: 83–91.

[11] VELTRUSKÝ, Jiří. 2012. An Approach to the Semiotics of Theatre. Reconstructed, translated in English and prefaced by Jarmila F. Veltruský. Ed. Tomáš Hoskovec, David Drozd. Brno: Masaryk University, 2012.