Saint Petersburg and Dostoyevsky's Diary of a Writer : on the edge of a literary genre

Název: Saint Petersburg and Dostoyevsky's Diary of a Writer : on the edge of a literary genre
Zdrojový dokument: Новая русистика. 2020, roč. 13, č. 1, s. 45-54
Rozsah
45-54
  • ISSN
    1803-4950 (print)
    2336-4564 (online)
Type: Článek
Jazyk
Licence: Neurčená licence
 

Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.

Abstrakt(y)
19th-century Saint Petersburg was a great inspiration for Russian writers. The paper is dedicated to the image of Saint Petersburg in the work of F. M. Dostoyevsky (1821–1881) who lived in the city most of his life. Saint Petersburg interconnects the entire Dostoyevsky's work from the early creation to his most significant works. The author of the paper concentrates on the Diary of a Writer, one of Dostoyevsky's late works, in which she examines the connection of the genre with the theme of the literary work. Through the genre of the Diary of a Writer, Saint Petersburg acquires a different role compared with the novels. Moreover, this work illustrates the ambivalence with which the writer perceived Saint Petersburg as his home.
Reference
[1] ANCIFEROV, N. P. (1991): Nepostižimyj gorod. Duša Peterburga. Peterburg Dostojevskogo. Peterburg Puškina. Sankt-Peterburg.

[2] BIRON, V. S. (1991): Peterburg Dostojevskogo. Grav. na dereve N. Kofanova. Leningrad.

[3] ČERVEŇÁK, A. (1994): Zázračno literatúry I. Ruská klasika. Nitra.

[4] DOSTOJEVSKIJ, F. M. (1980): Polnoje sobranije sočinenij v tridcati tomach. Tom dvadcat' pervyj. Dnevnik pisatelja 1873. Leningrad.

[5] DOSTOJEVSKIJ, F. M. (1985): Polnoje sobranije sočinenij v tridcati tomach. Tom dvadcat' vos'moj. Publicistika i pis'ma. Pis'ma 1832–1859. Leningrad.

[6] DOSTOJEVSKIJ, F. M. (1988): Peterburgskije snovidenija v stichach i proze. In: Polnoje sobranije sočinenij v pjatnadcati tomach. Leningrad, pp. 480–522. https://rvb.ru/dostoevski/01text/vol3/20.htm. [online]. [cit. 25. 2. 2020].

[7] GLAZUNOVA, O. I. (2003): Peterburg v žizni i tvorčestve russkich pisatelej. Sankt-Peterburg.

[8] GOGOL', N. V. (2002): Povesti. Moskva–Augsburg.

[9] JANKOWSKA, T. (2013): O wzajemnych relacjach kategorii przestrzeni i postaci w tekście miasta Charlesa Dickensa i Fiodora Dostojewskiego. Przegląd rusycystyczny, 2013, Nr. 3, pp. 45–55.

[10] JANKOWSKA, T. (2014): The Artistic Space of Home in Fyodor Dostoyevsky's Novel Crime and Punishment. The Interface between Semiotics and Translation. Przegląd Rusycystyczny, 2014, Nr. 1, pp. 27–45.

[11] KRYSTEVA, D. (2010): Krokodil F. M. Dostojevskogo kak peterburgskaja povest'. (Zametki k slovarju allegorij peterburgskoj istorii). Acta Universitatis Lodziensis. Folia Litteraria Rossica Vol III, 2010, pp. 60–68.

[12] MORSON, G. S. (1981): The Boundaries of Genre. Dostoevsky's "Diary of a Writer" and the Traditions of Literary Utopia. Evanston.

[13] PAUČOVÁ, L. (2017): Na margo výzkumu žánru deníku ve slovanském prostředí. Slavica litteraria Vol. XX, 2017, Nr. 2, pp. 95–102. | DOI 10.5817/SL2017-2-10

[14] POSPÍŠIL, I. (2004): Studie o literárních směrech a žánrech. Banská Bystrica.

[15] POSPÍŠIL, I. (1992): Rozpětí žánru. Brno.

[16] SARUCHANJAN, E. (1970): Dostojevskij v Peterburge. Leningrad.

[17] SZCZUKIN, W. (1984): Petersburg a twórczość Fiodora Dostojewskiego. Rocznik Komisji Historycznoliterackiej Vol. XXI, 1984, pp. 107–119.

[18] VASSENA, R. (2007): Reawakening of National Identity. Dostoevskii's Diary of a Writer and Its Impact on Russian Society. Bern.