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Displaying 76 - 100 of 128

Chapter
Havlíčková, Margita. Quellen. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 165.

Chapter
Havlíčková, Margita. Zur Untersuchungsproblematik. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 13–18.

Chapter
Havlíčková, Margita. Heinrich Rademins Theateraufführungen in Brünn. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 54–74.

Chapter
Havlíčková, Margita. Vorwort. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 7–8.

Chapter
Havlíčková, Margita. Personenregister. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 166–168.

Chapter
Havlíčková, Margita. Das Opernhaus "In der Taffern". In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 114–120.

Chapter
Havlíčková, Margita. Professional Theatre in Brno between 1668 and 1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 160.

Chapter
Havlíčková, Margita. Zur Baugeschichte der städtischen Taverne in den Jahren 1600–1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 144–158.

Chapter
Havlíčková, Margita. Das Berufstheater in Brünn in der ersten Hälfte der 1720er Jahre. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 75–96.

Chapter
Havlíčková, Margita. Schlusswort. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 159.

Chapter
Havlíčková, Margita. Die Anfänge des barocken Berufstheaters in Brünn in der zweiten Hälfte des 17. Jahrhunderts. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 19–53.

Issue
Brno studies in English, 2012, vol. 38, issue 2.

Article
Sotirova, Asya. [Yankova, Diana, ed. Canada: a view from without = Canada: un regard d'ailleurs]. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 119–121.

Article
Huttová, Mária. Margaret Atwood – changing perspectives (some notes on the variability of Atwood's characters and themes). The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 71–76.

Article
Molnár, Judit. Neil Bissoondath's imaginary homeland : the search for possible places and space in A Casual Brutality. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 61–70.

Article
Bánhegyim Mátyás. Translation shifts and translator strategies in the Hungarian translation of Alice Munro's "Boys and girls". The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 89–102.

Article
Contributors. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 123–127.

Article
Kostić, Milena, Lopičić, Vesna. "I will not cease to be" : voicing the alternative in Beth Brant's "A Long Story". The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 23–30.

Article
Nagy, Judit. The use of weather images by Canadian ethnic short story writers. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 45–53.

Article
Blake, Jason, Devine, Michael. Bringing Canada to Central Europe's stages : an interview with Michael Devine. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 7–10.

Article
Pospíšil, Tomáš. The man who wasn't there? : Larry Kent and his early Vancouver films. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 77–88.

Article
Blake, Jason. [Gadpaille, Michelle. "As she should be": codes of conduct in early Canadian womenś writing]. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 117–119.

Article
Paprašarovski, Marija. Pour en finir avec : lecture des pièces Le vrai monde? de Michel Tremblay et Le Chien de Jean Marc Dalpé. The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 103–112.

Article
Bottez, Monica. A postmodernist version of Canadian identity : Ray Smith's "Cape Breton is the thought control centre of Canada". The Central European journal of Canadian studies. 2012, vol. 8, iss. [1], pp. 55–59.