Title: Brno studies in English
Year: 2013
Volume: 39
Issue: 2
Issue title
The five senses of Canadian cinema
Publication year
2014
ISSN
0524-6881 (print)
1805-0867 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/130303
Note
- Edited by Tomáš Pospíšil
Department FF MU
Topic
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Content
Title | Document |
---|---|
The five senses of Canadian cinema: introduction | [5]–13 Pospíšil, Tomáš |
Title | Document |
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Objects of vision: the polymorphic cinema of Michael Snow | [17]–35 Browne, Dan |
|
Sirmilik, geographical experience, and the question of landscape | [37]–53 Wilson, Samantha |
|
On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal | [55]–70 Varga, Darrell |
|
Aura, aurora and aurality: the narrative of place in Picture of Light | [71]–88 Clarkson, Nathan |
Title | Document |
---|---|
In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways | [91]–106 Leach, Jim |
|
Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" | [107]–121 Herrera, José Rodríguez |
|
Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary | [123]–136 Loiselle, André |
|
When seeing and hearing do not help: communication failures in Canadian films | [137]–155 Arbeit, Marcel |
Title | Document |
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Brno Studies in English | [156] |
Title | Document |
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Guidelines for authors | [157] |