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Foletti, Ivan, Palladino, Adrien, Debiais, Vincent, Sparhubert, Éric, Voyer, Cécile. "Romanesque" Conques as a neo-Carolingian project. Convivium. 2021, vol. 8, iss. 2, pp. 168–174.

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Virdis, Alberto. Color in Suger's Saint-Denis : matter and light. Convivium. 2021, vol. 8, iss. 2, pp. 78–95.

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Palladino, Adrien, Scirocco, Elisabetta. The "Middle Ages"' interconnectedness. Convivium. 2021, vol. 8, iss. 2, pp. 11–12.

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Schwarz, Martin. [The Lives and Afterlives of Medieval Iconography]. Convivium. 2021, vol. 8, iss. 2, pp. 189–192.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Macek, Petr. On the project of Czech Music Dictionary of Persons and Institutions. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 55–62.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Ryszka-Komarnicka, Anna. Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.

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Stirton, Paul. Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.

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Secklehner, Julia. Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.