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Displaying 61 - 90 of 224
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Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
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Drozdek, Adam.
Sulzer and the orderliness of nature. Brünner Beiträge zur Germanistik und Nordistik. 2022, vol. 36, iss. 2, pp. 123–132.
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Bratina, Tomáš.
Gender change in the indrefinnmarksmål dialect. Brünner Beiträge zur Germanistik und Nordistik. 2022, vol. 36, iss. 2, pp. 161–172.
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Ficová, Adéla.
100 years/100books : a celebration of the Czech-Norwegian diplomatic relations. Brünner Beiträge zur Germanistik und Nordistik. 2022, vol. 36, iss. 2, pp. 193–196.
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Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
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Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.
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Dobšinský, Peter.
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.
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Pavlica, Lukáš.
The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.
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Hudecová, Danuta, Kalina, Petr.
Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.
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Slouka, Petr.
Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.
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Kozel, David.
Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.
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Mohammad, Iyad Abdelhafeez.
Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.
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Macek, Petr.
Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.
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Beckerman, Michael.
Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.
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Tyrrell, John.
Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.
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Špaček, Jan.
Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.
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Kopecký, Jiří.
Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.
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Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 297–303.
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Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 339–353.
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Kokole, Metoda.
Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.
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Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.
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Urniežius, Rytis.
The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.
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Haas, Petr.
The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.
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Nedbal, Martin.
Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.
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Kusák, Jiří.
Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing in 1907–1939. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 5–23.
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Chew, Geoffrey.
Little Bo-Peep has lost her sheep, and doesn't know where to find them, or, In search yet again of Czechness and Czech music. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 15–21.
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Zapletal, Miloš.
Civilist tendencies in the inter-war Czech music : at the beginning of a research. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 237–251.
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Vejvodová, Veronika.
An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 63–77.