Relación tiempo escénico – tiempo dramático en algunos ejemplos del teatro español del siglo XX

Author: Falska, Maria
Source document: Études romanes de Brno. 2009, vol. 30, iss. 2, pp. [75]-82
Extent
[75]-82
  • ISSN
    1803-7399 (print)
    2336-4416 (online)
Type
Article
Language
Spanish
License: Not specified license
Abstract(s)
The paper highlights a problem of relations between the dramatic and scenic time. Initially, a definition of both notions is offered to be followed by the discussion on potential relations occurring between these time patterns. Two aspects of connections between dramatic and scenic time are studied on the grounds of the examples from the 20th century Spanish dramatic works. These aspects include chronological order (anachrony - temporal distortion) and duration of both times (dramatic and scenic). The analysis concentrates on two works of Alfonso Sastre: El Cuervo and El asalto nocturno that show an interesting temporal structure.
Document
References:
[1] ARNICHES, Carlos. Teatro completo . Vol. II. Madrid: Aguilar, 1948.

[2] BUERO VALLEJO, Antonio. Teatro . Madrid: Espasa-Calpe, 1994.

[3] GENETTE, Gérard. Figures III . Paris: Seuil, 1972.

[4] JARDIEL PONCELA, Enrique. Obras teatrales escogidas . Madrid: Aguilar, 1953.

[5] PAVIS, Patrice. Diccionario del teatro . Trad. Jaume Melendres. Barcelona: Paidós, 1998.

[6] SASTRE, Alfonso. El cuervo . Hondarribia: Argitaletxe Hiru, 1992.

[7] SASTRE, Alfonso. Gillermo Tell tiene los ojos tristes. Muerte en el barrio . Asalto nocturno. Madrid: 1978.

[8] ÜBERSFELD, Anne. L'école du spectateur. Lire le théâtre 2 . París: Éditions sociales, 1981.