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Brno studies in English

2013, volume 39, issue 2

Issue title: The five senses of Canadian cinema Year: 2013 Publication year: 2014 ISSN: 0524-6881 (print) ISSN: 1805-0867 (online) Note: Edited by Tomáš Pospíšil

	[5]-13	The five senses of Canadian cinema: introduction Pospíšil, Tomáš |
Part One: Bodies, Landscapes, Representations
	[17]-35	Objects of vision: the polymorphic cinema of Michael Snow Browne, Dan |
	[37]-53	Sirmilik, geographical experience, and the question of landscape Wilson, Samantha |
	[55]-70	On true meaning(s) and the impossibility of documentary in the films of Jennifer Baichwal Varga, Darrell |
	[71]-88	Aura, aurora and aurality: the narrative of place in Picture of Light Clarkson, Nathan |
Part Two: Permeable Boundaries, Places-In-Between
	[91]-106	In-between states: Sarah Polley's Take This Waltz and Xavier Dolan's Laurence Anyways Leach, Jim |
	[107]-121	Away from Her? Sarah Polley's screen adaptation of Alice Munro's "The Bear Came Over The Mountain" Herrera, José Rodríguez |
	[123]-136	Canadian horror, American bodies: corporeal obsession and cultural projection in American Nightmare, American Psycho, and American Mary Loiselle, André |
	[137]-155	When seeing and hearing do not help: communication failures in Canadian films Arbeit, Marcel |
	[156]	Brno Studies in English |
	[157]	Guidelines for authors |