Тексты Ивана Вырыпаева в театре и кино : (на примере пьесы "Танец Дели")

Variant title
Teksty Ivana Vyrypajeva v teatre i kino : (na primere p'jesy "Tanec Deli")
Ivan Vyrypaev's texts in stage and screen adaptations : (based on the example of the play "The Delhi Dance")
Source document: Новая русистика. 2016, vol. 9, iss. 1, pp. 5-19
Extent
5-19
  • ISSN
    1803-4950 (print)
    2336-4564 (online)
Type
Article
Language
Russian
License: Not specified license
Abstract(s)
The article analyzes Ivan Vyrypaev's play "The Delhi Dance", as well as the film based on the play. Distinctive features of the play — absence of external conflict, arbitrary treatment of time, peculiarity of the characters, philosophical aspects and emphasis on form and structure of the text — determine unique cinematic style of this film. The film, which lacks a plot or an intrigue, with the characters devoid of psychological depth, is a vivid example of the "anti-cinema" work where verbal text dominates and usual cinematographic codes are absent. "The Delhi Dance" is an example of the new cinematic trend: the "new drama".
Note
  • Данная статья была написана в рамках проекта IGA FF_2013_061 Současná ruská dramatická tvorba v kulturním a translatologickém kontextu.
Document
References:
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