Тексты Ивана Вырыпаева в театре и кино : (на примере пьесы "Танец Дели")

Title: Тексты Ивана Вырыпаева в театре и кино : (на примере пьесы "Танец Дели")
Transliterated title
Teksty Ivana Vyrypajeva v teatre i kino : (na primere p'jesy "Tanec Deli")
Variant title:
  • Ivan Vyrypaev's texts in stage and screen adaptations : (based on the example of the play "The Delhi Dance")
Source document: Новая русистика. 2016, vol. 9, iss. 1, pp. 5-19
Extent
5-19
  • ISSN
    1803-4950 (print)
    2336-4564 (online)
Type: Article
Language
License: Not specified license
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
The article analyzes Ivan Vyrypaev's play "The Delhi Dance", as well as the film based on the play. Distinctive features of the play — absence of external conflict, arbitrary treatment of time, peculiarity of the characters, philosophical aspects and emphasis on form and structure of the text — determine unique cinematic style of this film. The film, which lacks a plot or an intrigue, with the characters devoid of psychological depth, is a vivid example of the "anti-cinema" work where verbal text dominates and usual cinematographic codes are absent. "The Delhi Dance" is an example of the new cinematic trend: the "new drama".
Note
Данная статья была написана в рамках проекта IGA FF_2013_061 Současná ruská dramatická tvorba v kulturním a translatologickém kontextu.
References
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