La rivista Corvina : l'uso politico dell'arte medievale in Ungheria tra le due guerre mondiali

Title: La rivista Corvina : l'uso politico dell'arte medievale in Ungheria tra le due guerre mondiali
Variant title:
  • The journal Corvina : political use of Medieval Art in Hungary between the World Wars
  • Časopis Corvina : využití středověkého umění v maďarské politice meziválečného období
Source document: Convivium. 2017, vol. 4, iss. 1, pp. 16-33
Extent
16-33
  • ISSN
    2336-3452 (print)
    2336-808X (online)
Type: Article
Language
Summary language
License: Not specified license
Rights access
fulltext is not accessible
 

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Abstract(s)
The Hungarian review Corvina, published in Italian since 1921 just after the signing of the Treaty of Trianon, documents the evolution of the Hungarian-Italian diplomatic and political connection. Corvina's founder, Albert Berzeviczy, like many Hungarians, sought a revision of the treaty, which had deprived Hungary of nearly 70 percent of its territory and population. In Corvina, contributors used literature, history, and art to reconstruct a Hungarian national past that was almost mythical in its forms, with Italy and Hungary tightly connected. Art came to symbolize a past in which Hungary was still a great kingdom. From this point of view, the so-called Angevin Naples-born kings, Charles I (1310–1342) and his son Louis the Great (1342–1382), and most important of all, King Mathias Corvinus (1458–1490), were the protagonists of a fabulous era very far from a sad and later tragic present.