Source document: Brno studies in English. 2017, vol. 43, iss. 1, pp. [185]-212
Extent
[185]-212
-
ISSN0524-6881 (print)1805-0867 (online)
Persistent identifier (DOI): https://doi.org/10.5817/BSE2017-1-11
Stable URL (handle): http://hdl.handle.net/11222.digilib/137093
Type
Article
Language
English
License: Not specified license
Abstract(s)
This paper discusses the violent female characters in the Disney World and argues that although the Disney Studio seems to be a rather unlikely candidate for giving us some of the most memorable and complex violent women in Hollywood, it still seems to be the case. From the Wicked Queen in Snow White and the Seven Dwarfs (1937) to Merida in Brave (2012), Elsa and Anna in Frozen (2013), Maleficent in Maleficent (2014), Judy Hopps and Bellwether in Zootopia (2016) or Moana and Te Fiti in Moana (2016), Disney created 'fully real' violent women who are well-rounded figures, and mostly, but not exclusively, femmes fatales. After definitions of the femme fatale and the discussion of how these violent female characters/Disney femmes fatales were/are represented in the Disney(/Pixar) animated (as well as some live action) films, a cultural-historical overview and analysis follows by focusing on the most outstanding violent woman characters in Disney history from the beginnings up until the latest productions.
Document
References:
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[43] Stanton, Andrew (dir.) (2008) WALL-E . written by Andrew Stanton et al. Walt Disney Pictures and Pixar Animation Studios.
[44] Stevenson, Robert (dir.) (1964) Mary Poppins . written by Bill Walsh et al. Walt Disney Productions.
[45] Stromberg, Robert (dir.) (2014) Maleficent . written by Linda Woolverton et al. Roth Films and Walt Disney Pictures.
[46] Tanner, Litsa Renée et al. (2003) ' Images of couples and families in Disney feature-length animated films '. The American Journal of Family Therapy 31, 355–373. | DOI 10.1080/01926180390223987
[47] Tóth, Zsófia Anna (2011) Merry Murderers: The Farcical (Re)Figuration of the Femme Fatale in Maurine Dallas Watkins' Chicago (1927) and its Various Adaptations . Newcastle upon Tyne: Cambridge Scholars Publishing.
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[49] Trousdale, Gary (dir.) (1996) The Hunchback of Notre Dame . written by Tab Murphy et al. Walt Disney Pictures.
[50] Zemeckis, Robert (dir.) (1988) Who Framed Roger Rabbit . written by Jeffrey Price et al. Touchstone Pictures and Walt Disney Feature Animation.
[51] Zipes, Jack (2011) The Enchanted Screen. The Unknown History of Fairy-Tale Films . New York and London: Routledge.
[2] Awards for Frozen (2013) The Internet Movie Database. Accessed on 23 December 2015. http://www.imdb.com/title/tt2294629/awards?ref_=tt_ql_4
[3] Bálint, Emma (2013) ' The representation of women in Walt Disney's productions in the studio era '. AMERICANA, E-Journal of American Studies in Hungary IX:2 (Fall). Accessed on 16 January 2016. http://americanaejournal.hu/vol9no2/balint
[4] Bancroft, Tony and Barry Cook (dir.) (1998) Mulan . written by Robert D. San Souci et al. Walt Disney Pictures.
[5] Bell, Elizabeth (1995) ' Somatexts at the Disney Shop '. In: Elizabeth Bell et al. (ed.) From Mouse to Mermaid. The Politics of Film, Gender and Culture. Bloomington: Indiana University Press, 107–124.
[6] Bird, Brad (dir.) (2004) The Incredibles . written by Brad Bird. Pixar Animation Studios and Walt Disney Pictures.
[7] Boxer, Sarah (2014) ' Why are all the cartoon mothers dead? ' The Atlantic July/August Issue. Accessed on 12 July 2014. http://www.theatlantic.com/magazine/archive/2014/07/why-are-all-thecartoon-mothers-dead/372270/
[8] Brode, Douglas (2005) Multiculturalism and the Mouse: Race and Sex in Disney Entertainment . Austin: University of Texas Press.
[9] Bronfen, Elisabeth (2004) ' Femme Fatale – Negotiations of Tragic Desire '. New Literary History 35, 103–116.
[10] Buck, Chris and Lee, Jennifer (dir.) (2013) Frozen . written by Jennifer Lee et al. Walt Disney Animation Studios and Walt Disney Pictures.
[11] Clements, Ron (dir.) (1997) Hercules . written by Ron Clements et al. Walt Disney Pictures.
[12] Clements, Ron (dir.) (1989) The Little Mermaid . written by John Musker et al. Walt Disney Pictures.
[13] Clements, Ron et al (dir.) (2016) Moana . written by Jared Bush et al. Walt Disney Animation Studios.
[14] Cottrell, William et al. (dir.) (1937) Snow White and the Seven Dwarfs . written by Ted Sears et al. Walt Disney Productions.
[15] Craven, Allison (2002) ' Beauty and the belles: Discourses of feminism and femininity in Disneyland '. European Journal of Women's Studies 9(2), 123–142. | DOI 10.1177/1350682002009002806
[16] Cuomo, Chris (1995) ' Spinsters in sensible shoes '. In: Elizabeth Bell et al. (ed) From Mouse to Mermaid. The Politics of Film, Gender and Culture. Bloomington: Indiana University Press, 212–223.
[17] Daniel, Robert L. (1987) American Women in the 20th Century. The Festival of Life . San Diego: Harcourt Brace Jovanovich Publishers.
[18] Davis, Amy M. (2012) Good Girls & Wicked Witches. Women in Disney's Feature Animation . New Barnet, Herts: John Libbey Publishing Ltd.
[19] Dijkstra, Bram (1996) Evil Sisters. The Threat of Female Sexuality and the Cult of Manhood . New York: Alfred A. Knopf.
[20] Do Rozario, Rebecca-Anne C. (2004) ' The princess and the magic kingdom: Beyond nostalgia, the function of the Disney drincess '. Women's Studies in Communication 27 (1) (Spring), 34-59. Accessed on 12 July 2014. http://www.uky.edu/~addesa01/documents/ThePrincessandtheMagicKingdom.pdf | DOI 10.1080/07491409.2004.10162465
[21] Edwards, Leigh H. (1999) ' The United Colors of "Pocahontas": Synthetic miscegenation and Disney's multiculturalism '. Narrative 7(2), 'Multiculturalism and Narrative' (May), 147–168.
[22] Feinman, Clarice (1994) Women in the Criminal Justice System . 3rd edition. Westport: Greenwood Publishing Group.
[23] Ferguson, Norman (dir.) (1940) Fantasia . written by Joe Grant et al. Walt Disney Pictures.
[24] Ferguson, Norman (dir.) (1940) Pinocchio . written by Ted Sears et al. Walt Disney Productions.
[25] Gabriel, Mike (dir.) (1995) Pocahontas . written by Carl Binder et al. Walt Disney Pictures.
[26] Geronimi, Clyde (dir.) (1961) One Hundred and One Dalmatians . written by Bill Peet et al. Walt Disney Productions.
[27] Geronimi, Clyde (dir.) (1959) Sleeping Beauty . written by Erdman Penner et al. Walt Disney Productions.
[28] Geronimi, Clyde (dir.) (1950) Cinderella . written by Bill Peet et al. Walt Disney Productions.
[29] Gilbert, Sandra M. and Gubar, Susan (1980) The Madwoman in the Attic . New Haven: Yale University Press.
[30] Greno, Nathan (dir.) (2010) Tangled . written by Dan Fogelman et al. Walt Disney Pictures.
[31] Griffin, Sean (2000) Tinker Belles and Evil Queens: the Walt Disney Company from the Inside Out . New York: New York University Press.
[32] Hall, Don and Chris Williams (dir.) (2014) Big Hero 6 . written by Jordan Roberts et al. Walt Disney Animation Studios and Marvel Comics.
[33] Harvey, Sylvia (1996) ' Woman's place: the absent family of film noir '. In: Kaplan, E. Ann (ed.) Women in Film Noir. London: BFI Publishing, 22–34.
[34] Heller, Reinhold (1981) The Earthly Chimera and the Femme Fatale: Fear of Woman in Nineteenth-Century Art . Exhibition catalogue, May 20-June 21. The David and Alfred Smart Gallery, University of Chicago.
[35] Howard, Byron and Chris Williams (dir.) (2008) Bolt . written by Dan Fogelman and Chris Williams. Walt Disney Pictures.
[36] Howard, Byron and Chris Williams (dir.) (2016) Zootopia . written by Byron Howard et al. Walt Disney Pictures.
[37] Hutchinson, Amanda (2014) ' 5 things you didn't know about Disney's 'Frozen' soundtrack '. MetroLyrics 15 April. Accessed on 23 December 2015. http://www.metrolyrics.com/news-story-5-things-you-didnt-know-about-disneys-frozen-soundtrack.html
[38] Knobloch, Susan (2001) ' Sharon Stone's (an)aesthetic '. In: McCaughey, Martha and King, Neal (ed.) Reel Knockouts. Violent Women in the Movies. Austin: University of Texas Press, 124–143.
[39] Ledger, Sally. (1997) The New Woman, Fiction and Feminism at the fin de siècle . Manchester: Manchester University Press.
[40] Murphy, Patrick D. (1995) ' The whole wide world was scrubbed clean '. In: Bell, Elizabeth, et al. (ed.) From Mouse to Mermaid. The Politics of Film, Gender and Culture. Bloomington: Indiana University Press, 125–136.
[41] Place, Janey (1996) ' Women in film noir '. In: Kaplan, E. Ann (ed.) Women in Film Noir. London: BFI Publishing, 35–67.
[42] Rothman, William (2004) The "I" of the Camera, Essays in Film Criticism, History, and Aesthetics . Cambridge: Cambridge University Press.
[43] Stanton, Andrew (dir.) (2008) WALL-E . written by Andrew Stanton et al. Walt Disney Pictures and Pixar Animation Studios.
[44] Stevenson, Robert (dir.) (1964) Mary Poppins . written by Bill Walsh et al. Walt Disney Productions.
[45] Stromberg, Robert (dir.) (2014) Maleficent . written by Linda Woolverton et al. Roth Films and Walt Disney Pictures.
[46] Tanner, Litsa Renée et al. (2003) ' Images of couples and families in Disney feature-length animated films '. The American Journal of Family Therapy 31, 355–373. | DOI 10.1080/01926180390223987
[47] Tóth, Zsófia Anna (2011) Merry Murderers: The Farcical (Re)Figuration of the Femme Fatale in Maurine Dallas Watkins' Chicago (1927) and its Various Adaptations . Newcastle upon Tyne: Cambridge Scholars Publishing.
[48] Trousdale, Gary (dir.) (1991) Beauty and the Beast . written by Linda Woolverton. Walt Disney Pictures.
[49] Trousdale, Gary (dir.) (1996) The Hunchback of Notre Dame . written by Tab Murphy et al. Walt Disney Pictures.
[50] Zemeckis, Robert (dir.) (1988) Who Framed Roger Rabbit . written by Jeffrey Price et al. Touchstone Pictures and Walt Disney Feature Animation.
[51] Zipes, Jack (2011) The Enchanted Screen. The Unknown History of Fairy-Tale Films . New York and London: Routledge.