Article
| Title: | Body suspension: performativita bolesti |
| Variant title: | Body suspension: performativity of pain |
| Author: | |
| Source document: | Theatralia. 2018, vol. 21, iss. 1, pp. 113-132 |
| Extent: | 113-132 |
| ISSN: | 1803-845X (print); 2336-4548 (online) |
| DOI: | 10.5817/TY2018-1-6 |
| Type: | Article (Czech) |
| Stable URL: | http://hdl.handle.net/11222.digilib/137913 |
| License: |
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Abstract(s):
Ve studii "Body suspension: performativita bolesti" se pokouším téma tělesného zavěšování (body suspension) předestřít v nepříliš problematizované podobě co nejširší odborné čtenářské obci, s ohledem na vlastní východiska, jež pramení především v teatrologii a dílčích otázkách teatrality a performativity (Fischer-Lichte, Judith Butler). V českém prostředí dosud odborně nereflektované téma vykazuje velmi zajímavé znaky, jež by měly upoutat každého divadelního vědce, antropologa, etnologa či kulturologa. Kontext a vzájemné souvislosti jednotlivostí fenoménu body suspension jsou natolik komplexní, že si jistě zasluhují první akademické texty. Má studie je kompilátem základních informačních zdrojů a vlastního výzkumu v českých a slovenských komunitách zabývajících se body suspension.
In the study the author strives to present the topic of body suspension to wide professional Czech public, to which it has been practically unknown, with regard to methodology of theatre and performance studies (Erika Fischer-Lichte, Judith Butler). The phenomenon bears a number of features interesting especially from the perspective of Theatre and Performance Studies, Anthropology, Ethnology, and Culturology. The study is supposed to attract interest of professional public to this complex phenomenon, presenting it with help of foreign secondary sources and the author's own research of Czech and Slovak body suspension communities.
In the study the author strives to present the topic of body suspension to wide professional Czech public, to which it has been practically unknown, with regard to methodology of theatre and performance studies (Erika Fischer-Lichte, Judith Butler). The phenomenon bears a number of features interesting especially from the perspective of Theatre and Performance Studies, Anthropology, Ethnology, and Culturology. The study is supposed to attract interest of professional public to this complex phenomenon, presenting it with help of foreign secondary sources and the author's own research of Czech and Slovak body suspension communities.
Keywords:
body suspension; tělesné zavěšování; mandanové; George Catlin; Fakir Musafar; Allen Falkner; Stelarc; performance; performativita; teatralita
body suspension; Mandans; George Catlin; Fakir Musafar; Allen Falkner; Stelarc; performance; performativity; theatricality
body suspension; Mandans; George Catlin; Fakir Musafar; Allen Falkner; Stelarc; performance; performativity; theatricality
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