Scenographer Antonín Heythum and his work in the US: the case of King Lear

Title: Scenographer Antonín Heythum and his work in the US: the case of King Lear
Source document: Theatralia. 2018, vol. 21, iss. 2, pp. 38-63
Extent
38-63
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Article
Language
License: Not specified license
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
The article focuses on the stage designs of Antonín Heythum. Heythum's work during the interwar period is relatively well known and has been (somewhat incorrectly) aligned with Constructivist scenography. There are a number of materials for his designs for the Liberated Theatre (Osvobozené divadlo) (e.g. Circus Dandin, Když ženy něco slaví [When Women Celebrate]) and other Czech theatres (Olomouc, Ostrava, and others). We, however, have only scarce information about his work in the US, where he lived after 1939. The article discusses Heythum's war and post-war life and work paying special attention to the production of King Lear, an extraordinary stage experiment directed by Erwin Piscator in New York. The article also examines Heythum's pedagogical activities in the United States.
References
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[2] ANDERSON, John. 1940. King Lear Staged by Studio Theatre: Sam Jaffe plays Title Role in Piscator's Production of Shakespeare Play, with Incidental Music. N.Y.C. Journal (December 16, 1940).

[3] Archives of American Art, Washington DC, Antonín Heythum's papers.

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[10] COLLEMAN, Robert. 1940a. Sam Jaffe Has Title Role in Piscator's King Lear. New York City Mirror (October 30, 1940)

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