Article
| Title: | Editorial |
| Author: | |
| Source document: | Theatralia. 2020, vol. 23, iss. 1, pp. 7-11 |
| Extent: | 7-11 |
| ISSN: | 1803-845X (print); 2336-4548 (online) |
| DOI: | 10.5817/TY2020-1-1 |
| Type: | Editorial; Editorial note (English) |
| Stable URL: | http://hdl.handle.net/11222.digilib/142545 |
| License: | CC BY-NC-ND 4.0 International |
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References:
[1] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre Theory Reader: Prague School Writings. Prague: Karolinum, 2016.
[2] QUINN, Michael L. 1995. The Semiotic Stage. Prague School Theater Theory. New York: Peter Lang, 1995.
[3] ZICH, Otakar. 2015. Puppet Theatre. Transl. by Pavel Drábek. Theatralia 18 (2015): 2: 505–513, eds. Christian M. Billing and Pavel Drábek. | DOI 10.5817/TY2015-2-23
[4] ZICH, Otakar. 2016. Principles of Theoretical Dramaturgy. Transl. by Pavel Drábek. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre Theory Reader: Prague School Writings. Prague: Karolinum Press, 2016: 34–58.
[5] ZICH, Otakar. 2019. The Theatrical Illusion. Transl. by Emil Volek and Andrés Pérez-Simón. PMLA 134 (March 2019): 2: 351–358.
