Sekvence a objekty, příspěvek k poznání formálních východisek spektrální hudby

Title: Sekvence a objekty, příspěvek k poznání formálních východisek spektrální hudby
Variant title:
  • Sequences and objects, a contribution to understanding formal apsects of spectral music
Author: Haas, Petr
Source document: Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 117-138
Extent
117-138
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type: Article
Language
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
This text focuses on the formal foundations of spectral music. It is concerned with the elementary concept for the creation of a composition which consists of the generation of sequences of processed objects determined primarily by pitch. This concept has become paradigmatic in the field known as computer assisted composition, and whose formalisation represents a prototype of an instrument for the computer-assisted composition Esquisse (1987) created at the Institut de recherche et coordination acoustique/musique (IRCAM) for the needs of composers sharing the ideological foundations of spectral music. A similarity is brought to light between this concept and the compositional thinking of Iannis Xenakis as applied to the creation of Stochastic Music Program (1962). The Esquisse insrument is analysed with the aid of an as yet unpublished manual provided by IRCAM, where it was used as an internal document.
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