Source document: Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149-162
Extent
149-162
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2020-2-9
Stable URL (handle): https://hdl.handle.net/11222.digilib/143581
Type: Article
Language
English
License: CC BY-SA 4.0 International
Abstract(s)
The second half of the 19th century is the time when in the art music created by the composers who represent conditionally small nations the efforts to prove their national identity were manifested stronger than ever previously. How was this process perceived by the music critics representing other, larger nations, and was the reception influenced only by purely musical factors, or also by the historically established relations between national communities? The paper is searching at least partial answer to this question researching the assessments of the Czech and Latvian music in the Riga German music critic in the late 19th and early 20th century.
Note
- The project 'Cultural Capital as a Resource for Sustainable Development of Latvia' /CARD (No. VPP-KMLKRVA-2020/1-0003) is implemented within the framework of the National Research Programme 'Latvian Culture – a Resource for National Development 2020-2022' of the Ministry of Culture of the Republic of Latvia. Funded by the Latvian Council of Science.
Document
References:
[1] [ANONYMOUS]. Von dem in der abgewichenen Woche stattgehabten lettischen Gesangfest [...]. Zeitung für Stadt un Land, no. 149, 01. 07. 1873, p. 5–6.
[2] A. v. H. Die "verkaufte Braut" von Smetana. Düna-Zeitung, no. 224, 04. 10. 1894, p. 1.
[3] A. v. H. Oper. Düna-Zeitung, No. 228, 08. 10. 1894, S. 6.
[4] BECKERMAN, Michael. Dvořák's "New World" Largo and "The Song of Hiawatha". NineteenthCentury Music, 1992, vol. 16, no. 1, p. 35–48. | DOI 10.2307/746618
[5] BRAUNS, Joahims. Latviešu un čehu mūzikas sakari [Links between Latvian and Czech music]. Karogs, no. 5, 1958, p. 130–134.
[6] CURTIS, Benjamin W. On Nationalism and Music. Dissertation. Vol. 1. Chicago, Illinois: The University of Chicago, 2002.
[7] DAVIDSON, Amelia. Reclaiming a Golden Past: Musical Institutions and Czech Identity in NineteenthCentury Prague. Dissertation. University of Kansas, 2019, [cit. 2020-07-15]. URL: https://kuscholarworks.ku.edu/bitstream/handle/1808/29581/Davidson_ku_0099D_16614_DATA_1.pdf?sequence=1&isAllowed=y
[8] D., L. Symphonie-Konzert. Baltische Post, no. 43, 22. 02. 1912, p. 3.
[9] G-r, V. Zehntes Elite Concert in der Ausstellung. Rigasche Rundschau, no. 178, 08. 08. 1901, p. 5.
[10] JAUNSLAVIETE, Baiba. Latviešu dziesmu svētki vācu un krievu preses atsauksmēs (1873–1938) [Latvian song festivals in German and Russian press reviews (1873–1938)]. Letonica, no. 17, 2008, p. 78–94.
[11] JAUNSLAVIETE, Baiba. Das Musikleben in Riga aus der Sicht deutscher, russischer und lettischer Musikkritik (1873–1914). In Musik – Stadt: Traditionen und Perspektiven urbaner Musikkulturen. Vol. 1: Traditionen städtischer Musikgeschichte in Mittel- und Osteuropa. Helmut Loos (ed.). Leipzig: Gudrun Schröder Verlag, 2011, p. 45–59.
[12] JAUNSLAVIETE, Baiba. Instrumental Music of the First Latvian Composers in the View of German Critics: The Crossroads of National and Musical Values. Art Tempus [Daugavpils], no. 2, 2014, p. 102–112.
[13] [KIENZL, Wilhelm]. Friedrich Smetana. Düna-Zeitung, no. 204, 10. 09. 1894, p. 2, 5.
[14] KOPECKÝ, Jiří. The International Success of Smetanas Bartered Bride. In Czech Music Around 1900. Lenka Křupková; Jiří Kopecký (eds). Hillsdale, NY: Pendragon Press, 2017.
[15] MÜLLER, Robert. IV Sinfonie-Konzert in Majorenhof. Rigasche Rundschau, no. 148, 04. 07. 1897, p. 3.
[16] P[ANTENIUS], T[heodor]. Allerlei vom lettischen Gesangfest. Rigasche Zeitung, no. 149, 30. 06. 1873, p. 1–2.
[17] PILZER, Friedr[ich]. "Die verkaufte Braut". Zeitung für Stadt und Land, no. 224, 04. 10. 1894, p. 5.
[18] R[UDOLPH], M[oritz]. Concert in Majorenhof. Rigaer Tageblatt, no. 164, 21. 07. 1889.
[19] SCHMIDT, Hans. Concert. Rigasche Rundschau, no. 43, 21. 02. 1895, p. 3.
[20] SCHMIDT, Hans. Concert. Rigasche Rundschau, no. 250, 03. 11. 1895, p. 2–3.
[21] SCHMIDT, Hans. Konzert. Rigasche Rundschau, no. 202, 4. 09. 1906, p. 3.
[22] STAEGER, Alexander. Das lettische Gesang- und Musikfest [...]. Rigaer Tageblatt, no. 138, 21. 06. 1895.
[23] TOPIJ, Andrzej. The Role of the Deutschbalten in the Cultural and Economic Development of Russia's Baltic Provinces in the 19th Century. Zapiski Historyczne, 2011, Vol. LXXVI, No. 4, p. 63–95. [cit. 2020-07-15]. URL: http://zapiskihistoryczne.pl/files/issues/6f7b428319f91a0fa9a79319f6a67755_ZH_2011_4_TopijN.pdf
[24] TORGĀNS, Jānis. Hanss Šmits kā mūziķis un cilvēks vācu, latviešu, igauņu un krievu mūzikā [Hans Schmidt as a musician and a man in German, Latvian, Estonian and Russian music]. In Gadsimtu skaņulokā. Rīga: Zinātne, 1997, p. 165–177.
[25] V., B. Konzert. Rigasche Rundschau, no. 270, 20. 11. 1907, p. 6.
[26] VĪTOLS, Jāzeps. Hanss Šmidts [necrology]. Mūzikas Nedēļa, 1923, no. 1, p. 2–4.
[27] VOLKOVS, Vladislavs. Krievi Latvijā XIX gadsimtā un XX gadsimta sākumā [Russians in Latvia in the 19th century and at the beginning of the 20th century]. In Slāvi Latvijā (Etniskās vēstures apcerējums) [Slavs in Latvia. Reflection on the Ethnic History]. Ilga Apine and Vladislavs Volkovs (eds). Rīga: Mācību Apgāds, 1998.
[28] -y-. Vom lettischen Sängerfest. II. Weltliches Concert. Zeitung für Stadt und Land, no. 142, 21. 06. 1880, p. 6.
[2] A. v. H. Die "verkaufte Braut" von Smetana. Düna-Zeitung, no. 224, 04. 10. 1894, p. 1.
[3] A. v. H. Oper. Düna-Zeitung, No. 228, 08. 10. 1894, S. 6.
[4] BECKERMAN, Michael. Dvořák's "New World" Largo and "The Song of Hiawatha". NineteenthCentury Music, 1992, vol. 16, no. 1, p. 35–48. | DOI 10.2307/746618
[5] BRAUNS, Joahims. Latviešu un čehu mūzikas sakari [Links between Latvian and Czech music]. Karogs, no. 5, 1958, p. 130–134.
[6] CURTIS, Benjamin W. On Nationalism and Music. Dissertation. Vol. 1. Chicago, Illinois: The University of Chicago, 2002.
[7] DAVIDSON, Amelia. Reclaiming a Golden Past: Musical Institutions and Czech Identity in NineteenthCentury Prague. Dissertation. University of Kansas, 2019, [cit. 2020-07-15]. URL: https://kuscholarworks.ku.edu/bitstream/handle/1808/29581/Davidson_ku_0099D_16614_DATA_1.pdf?sequence=1&isAllowed=y
[8] D., L. Symphonie-Konzert. Baltische Post, no. 43, 22. 02. 1912, p. 3.
[9] G-r, V. Zehntes Elite Concert in der Ausstellung. Rigasche Rundschau, no. 178, 08. 08. 1901, p. 5.
[10] JAUNSLAVIETE, Baiba. Latviešu dziesmu svētki vācu un krievu preses atsauksmēs (1873–1938) [Latvian song festivals in German and Russian press reviews (1873–1938)]. Letonica, no. 17, 2008, p. 78–94.
[11] JAUNSLAVIETE, Baiba. Das Musikleben in Riga aus der Sicht deutscher, russischer und lettischer Musikkritik (1873–1914). In Musik – Stadt: Traditionen und Perspektiven urbaner Musikkulturen. Vol. 1: Traditionen städtischer Musikgeschichte in Mittel- und Osteuropa. Helmut Loos (ed.). Leipzig: Gudrun Schröder Verlag, 2011, p. 45–59.
[12] JAUNSLAVIETE, Baiba. Instrumental Music of the First Latvian Composers in the View of German Critics: The Crossroads of National and Musical Values. Art Tempus [Daugavpils], no. 2, 2014, p. 102–112.
[13] [KIENZL, Wilhelm]. Friedrich Smetana. Düna-Zeitung, no. 204, 10. 09. 1894, p. 2, 5.
[14] KOPECKÝ, Jiří. The International Success of Smetanas Bartered Bride. In Czech Music Around 1900. Lenka Křupková; Jiří Kopecký (eds). Hillsdale, NY: Pendragon Press, 2017.
[15] MÜLLER, Robert. IV Sinfonie-Konzert in Majorenhof. Rigasche Rundschau, no. 148, 04. 07. 1897, p. 3.
[16] P[ANTENIUS], T[heodor]. Allerlei vom lettischen Gesangfest. Rigasche Zeitung, no. 149, 30. 06. 1873, p. 1–2.
[17] PILZER, Friedr[ich]. "Die verkaufte Braut". Zeitung für Stadt und Land, no. 224, 04. 10. 1894, p. 5.
[18] R[UDOLPH], M[oritz]. Concert in Majorenhof. Rigaer Tageblatt, no. 164, 21. 07. 1889.
[19] SCHMIDT, Hans. Concert. Rigasche Rundschau, no. 43, 21. 02. 1895, p. 3.
[20] SCHMIDT, Hans. Concert. Rigasche Rundschau, no. 250, 03. 11. 1895, p. 2–3.
[21] SCHMIDT, Hans. Konzert. Rigasche Rundschau, no. 202, 4. 09. 1906, p. 3.
[22] STAEGER, Alexander. Das lettische Gesang- und Musikfest [...]. Rigaer Tageblatt, no. 138, 21. 06. 1895.
[23] TOPIJ, Andrzej. The Role of the Deutschbalten in the Cultural and Economic Development of Russia's Baltic Provinces in the 19th Century. Zapiski Historyczne, 2011, Vol. LXXVI, No. 4, p. 63–95. [cit. 2020-07-15]. URL: http://zapiskihistoryczne.pl/files/issues/6f7b428319f91a0fa9a79319f6a67755_ZH_2011_4_TopijN.pdf
[24] TORGĀNS, Jānis. Hanss Šmits kā mūziķis un cilvēks vācu, latviešu, igauņu un krievu mūzikā [Hans Schmidt as a musician and a man in German, Latvian, Estonian and Russian music]. In Gadsimtu skaņulokā. Rīga: Zinātne, 1997, p. 165–177.
[25] V., B. Konzert. Rigasche Rundschau, no. 270, 20. 11. 1907, p. 6.
[26] VĪTOLS, Jāzeps. Hanss Šmidts [necrology]. Mūzikas Nedēļa, 1923, no. 1, p. 2–4.
[27] VOLKOVS, Vladislavs. Krievi Latvijā XIX gadsimtā un XX gadsimta sākumā [Russians in Latvia in the 19th century and at the beginning of the 20th century]. In Slāvi Latvijā (Etniskās vēstures apcerējums) [Slavs in Latvia. Reflection on the Ethnic History]. Ilga Apine and Vladislavs Volkovs (eds). Rīga: Mācību Apgāds, 1998.
[28] -y-. Vom lettischen Sängerfest. II. Weltliches Concert. Zeitung für Stadt und Land, no. 142, 21. 06. 1880, p. 6.