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Title: Theatralia
Year: 2021
Volume: 24
Issue: 1
Issue title
Performance cultures of English Restoration (1660−1737)
Publication year
2021
ISSN
1803-845X (print)
2336-4548 (online)
hidden section Editorial
Title Document
Editorial | 7–10
Škrobánková, Klára; Drábek, Pavel
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Yorick
Title Document
The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669) | 11–33
van Hensbergen, Claudine
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Restoration theatre, indirect translation and the canon: Settle's Guarini | 34–42
Morini, Massimiliano
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"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn | 43–60
Grant, Teresa
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"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701) | 61–77
Calvi, Lisanna
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Captain Macheath's execution lament in The Beggar's Opera | 78–91
Jocoy, Stacey
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Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear | 92–100
Krajník, Filip
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Translation and performance cultures: Spanish drama and Restoration England | 101–118
Braga Riera, Jorge
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Address pronouns revisited: a case of theatre and translation pragmatics | 119–135
Graziano, Alba
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Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy | 136–145
Cetera-Włodarczyk, Anna; Pożar, Przemysław
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Spektrum – Spectrum
Title Document
Od smutného Pierota k pyšnému vezírovi aneb Honzlovy České písně kramářské | 147–187
Šlaisová, Eva
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Od sociálně-demokratické spirituality k socialistickému realismu : koncept lidovosti v myšlení Jindřicha Honzla o divadle | 188–215
Kunderová, Radka
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Rozhlasový režisér Josef Henke | 216–239
Bojda, Tomáš
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Frank Wollman – dramatický text ako intencionálna danosť | 240–254
Zelenková, Anna
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Host – Guests
Title Document
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler | 255–261
Škrobánková, Klára; Drábek, Pavel; Eubanks Winkler, Amanda
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Orientace – Reviews
Title Document
Enacting the Bible in Medieval and Early Modern Drama | 263–266
Poláčková, Eliška
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Conceptual metaphor theory cannot be just conceptual | 267–270
Havlíčková Kysová, Šárka
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Notes on the new edition of Marcello's Il teatro alla moda | 271–273
Škrobánková, Klára
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Shakespeare's treasure trove of Italian tales | 274–278
Drábek, Pavel
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When audience in a theatre used to be a natural thing | 279–283
Šalounová, Kateřina
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Poetika Osvobozeného v opavském výkřiku | 284–286
Jochmanová, Andrea
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Vzácný moment v českém tanečněvědném diskurzu | 287–290
Pavlišová, Jitka
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Autorsky rozeklaný portrét dvojčat | 291–294
Mareček, Luboš
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Depeše – Events
Title Document
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions | 295–298
Mikyšková, Anna; Škrobánková, Klára
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Behn's The Emperor of the Moon in 2020 | 299–302
Anderson, Misty G.
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Revisiting Restoration theatre through transnational interactions | 303–308
Hájková, Simona
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In search for new realities in post-pandemic dystopia | 309–311
Turzíková, Tereza
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Archiv – Archive
Title Document
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals | 313–356
Katritzky, M. A.
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