[Knight, Michael Muhammad. The Five Percenters: Islam, Hip-hop and the Gods of New York]

Author: Horský, Jan
Source document: Sacra. 2021, vol. 19, iss. 1, pp. 95-98
Extent
95-98
  • ISSN
    1214-5351 (print)
    2336-4483 (online)
Type
Review
Language
Czech
License: Not specified license
Document
References:
[1] Bradley, L. (2001). Bass Culture: When Reggae Was King . London: Penguin.

[2] Gates, H. L. (1988). The Signifying Monkey: A Theory of African-American Literary Criticism . New York – London: Oxford University Press.

[3] Knight, M. M. (2007). The Five Percenters: Islam, Hip-hop and the Gods of New York . Oxford: One World.

[4] Nielsen. (2017). Nielsen Year-End Music Report U.S. Nielsen.

[5] Puchovský, M. (2018). Hudba a identita: Spôsob utvárania subkultúrnej identity medzi nasledovníkmi Žiarislava . Magisterská práce. Masarykova univerzita, Brno.

[6] Vrzal, M. (2017). Metal a akademické studium náboženství aneb proč by se religionistika měla o metal zajímat, se zaměřením na téma metal a satanismus . Sacra, 15(2), 7–32.

[7] X, M. (1973). The Autobiography of Malcolm X . New York: Ballantine Books.