Meaning-making in contemporary operatic performance

Source document: Theatralia. 2022, vol. 25, iss. 1, pp. 172-176
Extent
172-176
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Review
Language
English
Reviewed work
Havelková, Tereza. Opera as hypermedium: meaning-making, immediacy, and the politics of perception. New York: Oxford University Press, 2021. xii, 186 pp. ISBN 978-0-19-009126-2.
Document
References:
[1] ADORNO, Theodor W. 2005. In Search of Wagner. London: Verso, 2005.

[2] BENJAMIN, Walter. 1969. Illuminations. New York: Schocken Books, 1969.

[3] BENJAMIN, Walter. 1977. The Origin of German Tragic Drama. New York: New Left Books, 1977.

[4] BOLTER, Jay David and Richard GRUSIN. 1999. Remediation. Understanding New Media. Cambridge, MA: MIT Press, 1999.

[5] BRYSON, Norman. 1983. Vision and Painting: The Logic of the Gaze. London: Macmillan, 1983.

[6] KRAMER, Lawrence. 2002. Musical Meaning: Towards a Critical History. Berkeley: University of California Press, 2002.

[7] LEHMANN, Hans-Thies. 1999. Postdramatisches Theatre. Frankfurt: Verlag der Autoren, 1999.