Theatralia
2019, vol. 22, iss. 2, Supplementum
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Issue title:
Semiotics in action
Year:
2019
Publication year:
2019
ISSN:
1803-845X (print)
ISSN:
2336-4548 (online)
ISBN:
978-80-210-9564-9
Note:
Editor čísla (Issue editor): Martin Revermann (University of Toronto)
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Table of contents:
| 7-8 |
Editorial note Revermann, Martin |
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| 9-22 |
Beckett and the theatrical sign : the need for semiotics Revermann, Martin |
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| 23-38 |
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics Schmid, Herta |
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| 39-58 |
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance Ambros, Veronika; Switzky, Lawrence |
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| 59-71 |
Stage life and stage death (after Veltruský) Jestrović, Silvija |
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| 72-82 |
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016) Pérez-Simón, Andrés |
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| 83-95 |
Animate, inanimate and beyond in Švankmajer's Faust (1994) Pontieri, Laura |
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| 96-108 |
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning Jovanovic, Nenad |
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| 109-121 |
On men and objects : staging the divided subjectivity of displacement in zero degrees Meerzon, Yana |
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| 122-139 |
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding Šlaisová, Eva |
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