Název: Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina
Zdrojový dokument: Theatralia. 2020, roč. 23, č. 1, s. 62-80
Rozsah
62-80
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2020-1-6
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142550
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Otakar Zich's opera Vina [Guilt] met with contentious criticism at its premiere in 1922. Nevertheless, its score demonstrates many of the concepts of musico-dramatic narrative outlined in his seminal text, The Aesthetics of Dramatic Art, specifically that of multivocality – the multiple modes of communication perceived through time in continuous unfolding. Vina also employs concepts of silence and sound that resonate with Vladimir Jankélévitch's Music and the Ineffable.
Reference
[1] ABBATE, Carolyn. 1991. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press, 1991.
[2] BURJANEK, Josef. 1966. Otakar Zich: studie k vývoji českého muzikologického myšlení v první třetině našeho století [Otakar Zich: Studies in the Development of Czech Musicological Thought in the First Third of Our Century]. Prague: Státní pedagogické nakladatelství, 1966.
[3] CAGE, John. 2013. Silence: Lectures and Writings. Middletown, Conn.: Wesleyan University Press, 2013.
[4] HUTTER, Josef. 1922. Otakar Zich a jeho hudební drama 'Vina': poznámky a rozbor díla [Otakar Zich and His Musical Drama, Vina: Notes and Analysis of the Work]. Prague: Melantrich, 1922.
[5] JANKÉLÉVITCH, Vladimir. 1957. Le je-ne-sais-quoi et le presque-rien. Paris: Presses universitaires de France, 1957.
[6] JANKÉLÉVITCH, Vladimir. 2003. Music and the Ineffable. Transl. by Carolyn Abbate. Princeton: Princeton University Press, 2003.
[7] JUSOVÁ, Iveta. 2004. Re-inflecting Femininity on the Czech Fin-de-siècle Stage: An Analysis of Hana Kvapilová's Acting Style. Theatre History Studies 24 (June 2004): 35–56.
[8] LOCKE, Brian S. 2006. Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938. Rochester, N. Y.: University of Rochester Press, 2006.
[9] LOCKE, Brian S. 2008. The 'Wozzeck Affair': Modernism and the Crisis of Audience in Prague. Journal of Musicological Research 27 (2008): 1: 63–93. | DOI 10.1080/01411890701804788
[10] [N.a.] 1922. Ot. Zich: Vina (Revue kritik) [Otakar Zich: Vina (Overview of Criticism)]. Tempo – Listy Hudební matice 1 (April 1922): 7: 104–107.
[11] PALA, František. 1964. Opera Národního divadla v období Otakara Ostrčila [Opera at the National Theatre in the Era of Otakar Ostrčil], vol. 2. Prague: Divadelní ústav, 1964.
[12] SCHIANO, Michael J. 2001. Grundgestalt [online]. Grove Music Online [accessed on 21. 5. 2019]. Available online at https://doi-org.wiulibraries.idm.oclc.org/10.1093/gmo/9781561592630.article.11868.
[13] SCHOENBERG, Arnold. 1950. Linear Counterpoint. In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. Transl. by Leo Black. New York: Philosophical Library, 1950: 289–295.
[14] SCHOENBERG, Arnold. 1975. Opinion or Insight? In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. 2nd ed., Transl. by Dika Newlin. New York: St. Martin's Press, 1975: 258–264.
[15] ŠILHAN, Antonín. 1922. Finis musicæ [The End of Music]. Národní listy (15. 3. 1922).
[16] ŠOUREK, Otakar. 1922. Otakar Zich: Vina. Venkov (16. 3. 1922).
[17] ZICH, Otakar. 1914. Moderní opera [Modern Opera]. Osvěta 44 (1914): 481–493; 569–579.
[18] ZICH, Otakar. 1922. Píseň paní Mařákové [Mrs. Mařáková's Song]. Prague: Em. Starý, 1922.
[19] ZICH, Otakar. 1927a. Dramatické možnosti opery [The Dramatic Possibilities of Opera]. In Josef Kodíček and Miroslav Rutte. Nové české divadlo 1918–1926. Prague: Aventinum, 1927: 84–91.
[20] ZICH, Otakar. 1927b. Jak se komponuje opera [How One Composes Opera]. In Nové české divadlo 1927. Prague: Aventinum, 1927: 86–88.
[21] ZICH, Otakar. 1933. Autoři o sobě. U mistra Otakara Zicha [Authors about Themselves: With Maestro Otakar Zich]. Česká hudba 36 (15. 1. 1933): 9: 132–135.
[22] ZICH, Otakar. 1977 [1931]. Estetika dramatického umění [The Aesthetics of Dramatic Art]. Reprint ed. Oleg Sus. Würzburg: Jal-Reprint, 1977.
[23] ZICH, Otakar. 2014a. Vina [Guilt], vol. 1. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[24] ZICH, Otakar. 2014b. Vina [Guilt], vol. 2. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[25] ZICH, Otakar. 2014c. Vina [Guilt], vol. 3. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[26] ZICH, Otakar. n.d. The Aesthetics of Dramatic Art. Transl. by Ivo Osolsobě [unpublished typescript].
[27] ZICH, Otakar. n.d. Vina [Guilt]. Autograph orchestral score, piano-vocal scores, orchestral parts, and libretto. Prague: Hudební Archiv, Národní divadlo v Praze, MS. H 177.
[2] BURJANEK, Josef. 1966. Otakar Zich: studie k vývoji českého muzikologického myšlení v první třetině našeho století [Otakar Zich: Studies in the Development of Czech Musicological Thought in the First Third of Our Century]. Prague: Státní pedagogické nakladatelství, 1966.
[3] CAGE, John. 2013. Silence: Lectures and Writings. Middletown, Conn.: Wesleyan University Press, 2013.
[4] HUTTER, Josef. 1922. Otakar Zich a jeho hudební drama 'Vina': poznámky a rozbor díla [Otakar Zich and His Musical Drama, Vina: Notes and Analysis of the Work]. Prague: Melantrich, 1922.
[5] JANKÉLÉVITCH, Vladimir. 1957. Le je-ne-sais-quoi et le presque-rien. Paris: Presses universitaires de France, 1957.
[6] JANKÉLÉVITCH, Vladimir. 2003. Music and the Ineffable. Transl. by Carolyn Abbate. Princeton: Princeton University Press, 2003.
[7] JUSOVÁ, Iveta. 2004. Re-inflecting Femininity on the Czech Fin-de-siècle Stage: An Analysis of Hana Kvapilová's Acting Style. Theatre History Studies 24 (June 2004): 35–56.
[8] LOCKE, Brian S. 2006. Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938. Rochester, N. Y.: University of Rochester Press, 2006.
[9] LOCKE, Brian S. 2008. The 'Wozzeck Affair': Modernism and the Crisis of Audience in Prague. Journal of Musicological Research 27 (2008): 1: 63–93. | DOI 10.1080/01411890701804788
[10] [N.a.] 1922. Ot. Zich: Vina (Revue kritik) [Otakar Zich: Vina (Overview of Criticism)]. Tempo – Listy Hudební matice 1 (April 1922): 7: 104–107.
[11] PALA, František. 1964. Opera Národního divadla v období Otakara Ostrčila [Opera at the National Theatre in the Era of Otakar Ostrčil], vol. 2. Prague: Divadelní ústav, 1964.
[12] SCHIANO, Michael J. 2001. Grundgestalt [online]. Grove Music Online [accessed on 21. 5. 2019]. Available online at https://doi-org.wiulibraries.idm.oclc.org/10.1093/gmo/9781561592630.article.11868.
[13] SCHOENBERG, Arnold. 1950. Linear Counterpoint. In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. Transl. by Leo Black. New York: Philosophical Library, 1950: 289–295.
[14] SCHOENBERG, Arnold. 1975. Opinion or Insight? In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. 2nd ed., Transl. by Dika Newlin. New York: St. Martin's Press, 1975: 258–264.
[15] ŠILHAN, Antonín. 1922. Finis musicæ [The End of Music]. Národní listy (15. 3. 1922).
[16] ŠOUREK, Otakar. 1922. Otakar Zich: Vina. Venkov (16. 3. 1922).
[17] ZICH, Otakar. 1914. Moderní opera [Modern Opera]. Osvěta 44 (1914): 481–493; 569–579.
[18] ZICH, Otakar. 1922. Píseň paní Mařákové [Mrs. Mařáková's Song]. Prague: Em. Starý, 1922.
[19] ZICH, Otakar. 1927a. Dramatické možnosti opery [The Dramatic Possibilities of Opera]. In Josef Kodíček and Miroslav Rutte. Nové české divadlo 1918–1926. Prague: Aventinum, 1927: 84–91.
[20] ZICH, Otakar. 1927b. Jak se komponuje opera [How One Composes Opera]. In Nové české divadlo 1927. Prague: Aventinum, 1927: 86–88.
[21] ZICH, Otakar. 1933. Autoři o sobě. U mistra Otakara Zicha [Authors about Themselves: With Maestro Otakar Zich]. Česká hudba 36 (15. 1. 1933): 9: 132–135.
[22] ZICH, Otakar. 1977 [1931]. Estetika dramatického umění [The Aesthetics of Dramatic Art]. Reprint ed. Oleg Sus. Würzburg: Jal-Reprint, 1977.
[23] ZICH, Otakar. 2014a. Vina [Guilt], vol. 1. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[24] ZICH, Otakar. 2014b. Vina [Guilt], vol. 2. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[25] ZICH, Otakar. 2014c. Vina [Guilt], vol. 3. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[26] ZICH, Otakar. n.d. The Aesthetics of Dramatic Art. Transl. by Ivo Osolsobě [unpublished typescript].
[27] ZICH, Otakar. n.d. Vina [Guilt]. Autograph orchestral score, piano-vocal scores, orchestral parts, and libretto. Prague: Hudební Archiv, Národní divadlo v Praze, MS. H 177.