Scenographer Antonín Heythum and his work in the US: the case of King Lear

Název: Scenographer Antonín Heythum and his work in the US: the case of King Lear
Zdrojový dokument: Theatralia. 2018, roč. 21, č. 2, s. 38-63
Rozsah
38-63
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Článek
Jazyk
Licence: Neurčená licence
 

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Abstrakt(y)
The article focuses on the stage designs of Antonín Heythum. Heythum's work during the interwar period is relatively well known and has been (somewhat incorrectly) aligned with Constructivist scenography. There are a number of materials for his designs for the Liberated Theatre (Osvobozené divadlo) (e.g. Circus Dandin, Když ženy něco slaví [When Women Celebrate]) and other Czech theatres (Olomouc, Ostrava, and others). We, however, have only scarce information about his work in the US, where he lived after 1939. The article discusses Heythum's war and post-war life and work paying special attention to the production of King Lear, an extraordinary stage experiment directed by Erwin Piscator in New York. The article also examines Heythum's pedagogical activities in the United States.
Reference
[1] Actor Jaffers 'NOT IN' TO FILM OFFERS – Right Now He's Too Absorbed In 'King Lear' Experiment. Philadelphia PA. Record (November 17, 1940).

[2] ANDERSON, John. 1940. King Lear Staged by Studio Theatre: Sam Jaffe plays Title Role in Piscator's Production of Shakespeare Play, with Incidental Music. N.Y.C. Journal (December 16, 1940).

[3] Archives of American Art, Washington DC, Antonín Heythum's papers.

[4] BENSON, Inge. 1940. His Epic Plan, Workshop 'King Lear'. New York Herald Tribune (December 1, 1940).

[5] BROWN, John Mason. 1940. Piscator's King Lear with Sam Jaffe. New York City Post (December 16, 1940). Bulletin of the California Institute of Technology, 54: 4: 211.

[6] BURIAN, Jarka M. 1939. The Adventures of Voskovec and Werich in America, 1939. A manuscript essay, deposited in the archive of the Svět a divadlo journal. Published in Jakub Škorpil's translation at: http://host.divadlo.cz/art/clanek.asp?id=9666.

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[8] Carnaige Institute of Technology. Community calender [online]. Available online at: http://digitalcollections.library.cmu.edu/awweb/awarchive?type=file&item=386445; p. 4

[9] Centre Pompidou. Paris, Bibliothèque Kandinsky, Collection Alexander Calder; letters written by the Heythums from Pasadena 1940–1944, and notes on Heythum's and Calder's collaboration in 1942 (pp. 4ff.). Available online at: https://www.centrepompidou.fr/cpv/ressource.action?param.idSource=FR_DO-55c1ec399e7d48433225fdf995cbe76&param.refStatus=nsr

[10] COLLEMAN, Robert. 1940a. Sam Jaffe Has Title Role in Piscator's King Lear. New York City Mirror (October 30, 1940)

[11] COLLEMAN, Robert. 1940b. Newest 'Lear' Like Children Using Firecrackers. New York City Mirror (December 16, 1940).

[12] FREJKA, Jiří. 1925a. Rekvizita na jevišti a jevištní asociativní faktor [The Onstage Prop and the Onstage Associative Factor] Pásmo 2: 1 (October 1925): 10.

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[23] PISCATOR, Erwin. 1940. Piscator Gives Aims Of 'Studio Theatre' Project to Be Test Ground for New and Old Work. New York Times (Sunday, November 17, 1940).

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[25] Radio Retailing Today (January 1944): 102. Available at: http://www.americanradiohistory.com/Archive-Radio-Retailing/40s/Radio-Retailing-1944–01.pdf

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