Název: Operné multimédiá Střeženého Parnassu
Zdrojový dokument: Musicologica Brunensia. 2013, roč. 48, č. 1, s. [23]-29
Rozsah
[23]-29
-
ISSN1212-0391 (print)2336-436X (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MB2013-1-4
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/128911
Type: Článek
Jazyk
Licence: Neurčená licence
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Abstrakt(y)
The paper deals with two opera performances of the Střežený ParnassTM (Guarded ParnassusTM) art group from Brno – Arias That Money Cannot Buy (2002) and Phantom or Bloody Opera (2005). These two stage works, commissioned for the National Theatre in Prague, provoked quite controversial reactions because of loosened postmodern poetics to which the Czech opera visitors and critics are still not accustomed. Treating both performances in a global context of current operamaking, I intend to emphasize the transformations the opera genre and its cultural reflection undergone in world during last decades.
Reference
[1] BARTHES, Roland. Mytologie. Praha: Dokořán, 2004.
[2] BARTHES, Roland. Smrť autora. In Profil súčasného výtvarného umenia. 2001, č. 1–2, s. 11.
[3] SONTAG, Susan. One Culture and the New Sensibility. In Against Interpretation. New York: Anchor Books, 1990.
[4] ŽIŽEK, Slavoj – DOLAR, Mladen. Opera's Second Death. New York/Londýn: Routledge, 2002.
[2] BARTHES, Roland. Smrť autora. In Profil súčasného výtvarného umenia. 2001, č. 1–2, s. 11.
[3] SONTAG, Susan. One Culture and the New Sensibility. In Against Interpretation. New York: Anchor Books, 1990.
[4] ŽIŽEK, Slavoj – DOLAR, Mladen. Opera's Second Death. New York/Londýn: Routledge, 2002.