Die Passion Christi als musikalische Meditation : Text, Bildgestalt und Symbolik bei Dieterich Buxtehude, Heinrich Ignaz Franz Biber und Heinrich Schütz

Název: Die Passion Christi als musikalische Meditation : Text, Bildgestalt und Symbolik bei Dieterich Buxtehude, Heinrich Ignaz Franz Biber und Heinrich Schütz
Variantní název:
  • The Passion Christi as musical meditation : text, visual form and symbolism at Dieterich Buxtehude, Heinrich Ignaz Franz Biber and Heinrich Schütz
Autor: Jung, Hermann
Zdrojový dokument: Musicologica Brunensia. 2014, roč. 49, č. 2, s. [3]-18
Rozsah
[3]-18
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type: Článek
Jazyk
Licence: Neurčená licence
 

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Abstrakt(y)
The Passion of Christ has been oftentimes arranged and interpreted in literature, paintings and works of music. Since the end of the Middle Ages it is also an important phenomenon of medidation. An example is the Isenheim Altarpiece, sculpted by Grünewald from 1512 to 1516. On the other hand, there are four compositions of the 17th and 18th century: The cantata cycle Membra Jesu Nostri by Buxtehude (1680), Biber's violin cycle Rosary Sonatas (about 1674), the oratorio-like Seven Last Words by Schütz (about 1650) and Haydn's string quartet version of the Seven Last Words of Our Saviour on the Cross (1787). The respective source texts will be analyzed and interpreted, including the origin, the individual rhetoric and symbolism of the works, and additionally their functions in worship and devotions.