Sirmilik, geographical experience, and the question of landscape

Název: Sirmilik, geographical experience, and the question of landscape
Zdrojový dokument: Brno studies in English. 2013, roč. 39, č. 2, s. [37]-53
Rozsah
[37]-53
  • ISSN
    0524-6881 (print)
    1805-0867 (online)
Type: Článek
Jazyk
Licence: Neurčená licence
 

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Abstrakt(y)
Traditional landscape aesthetics, featured in geography and the fine arts, privilege a form of distance firmly attached to the gaze of the European colonial. This conceptualization of space has been strongly criticized and has recently been overshadowed in academia by an emphasis on a multisensory form of embodied experience. In contrast to this shift of emphasis, Martin Heidegger placed traditional structures of contemplation alongside an embodied process when accounting for our relationship to landscape and space. Zacharias Kunuk emphasizes this problematization from the indigenous point of view in his latest short film, Sirmilik (2011). In the film he challenges the notion that one form of experience can be separated from the other when considering the arctic landscape.
Reference
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[10] Relph, Edward (2000) "Geographical Experiences and Being-in-the-World: The Phenomenological Origins of Geography". In: Seamon, David and Robert Mugerauer (eds.) Dwelling, Place, and Environment: Towards a Phenomenology of Person and World, 2nd ed. Malabar, Florida: Krieger, 15–32.

[11] Russell, Catherine (2006) "The Inhabited View: Landscape in the Films of David Rimmer". In: Lefebvre, Martin (ed.) Landscape and Film. New York: Routledge, 149–166.

[12] "Sirmilik National Park of Canada". (2009) Parks Canada. Government of Canada. http://www.pc.gc.ca/pn-np/nu/sirmilik/natcul/natcul4.aspx, accessed on 10 March 2012.

[13] Atanarjuat: The Fast Runner. Dir. Zacharias Kunuk. 2001.

[14] The Journal of Knud Rasmussen. Dir. Norman Cohn and Zacharias Kunuk. 2006.

[15] Before Tomorrow. Dir. Marie-Helene Cousineau and Madeline Ivalu. 2008.

[16] Sirmilik. Dir. Zacharias Kunuk. 2011.