Název: Flexibilita muzejního prostoru
Variantní název:
- Flexibility of museum spaces
Zdrojový dokument: Museologica Brunensia. 2024, roč. 13, č. 1, s. 44-55
Rozsah
44-55
-
ISSN1805-4722 (print)2464-5362 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MuB2024-1-4
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.80186
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Přístupová práva
otevřený přístup
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
Článek vychází z autorčiny diplomové práce, která se zaměřovala na konkrétní muzejní projekty. Oproti tomu tento článek zkoumá širší koncept flexibility a snaží se ho rámcově rozvinout v kontextu muzejní architektury. Jeho cílem je prozkoumat, jak flexibilita může obohatit prostor muzea, a jak ji lze využít k prohloubení zážitku návštěvníka – od vnímání exponátů až po pobyty v prostoru muzea či galerie.
This article is based on the author's Master thesis focused on specific museum projects. In contrast to that thesis, the article explores the broader concept of flexibility, attempting to develop it further in the context of museum architecture. Its goal is to examine how flexibility can enhance the museum space and how can it be used to deepen the visitor's experience – from perceiving the exhibits to engaging with the museum or gallery environment.
Reference
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[7] Kabinett der Abstrakten VR Demo. In Youtube [online]. [cit. 2023-04-29]. Dostupný z www: https://youtu.be/FNd9ZIyuOo4.
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[13] LE CORBUSIER. OEuvre Complète. Díl II (1929–1934). 17. vyd. Basel: Birkhäuser, 2013, s. 72–73. ISBN 978-3-7643-5504-3.
[14] LEHMANN, Maria-Rosa. The 1938 Exposition internationale du surréalisme and Acte manqué: The Terror of Memory and the Terror to Come. Lingua romana, 2018, roč. 13, č. 1, s. 99–112. ISSN 1551-4730.
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[18] MOOS, Stanislaus von. A museum explosion: fragments of an overview. In GREUB, Suzanne, Vittorio MAGNAGO LAMPUGNANI a Angeli SACHS (eds.). Museums for a new millennium: concepts, projects, buildings. London: Prestel, 1999, s. 15–27. ISBN 978-3-7913-2219-3.
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[20] NAREDI-RAINER, Paul von. Museum buildings: a design manual. Basel: Birkhäuser, 2004. 248 s. ISBN 978-3-7643-6580-6.
[21] Národní muzeum pro západní umění. In Archiweb [online]. [cit. 2023-04-28]. Dostupný z www: https://www.archiweb.cz/b/narodni-muzeum-pro-zapadniumeni#:~:text=P%C5%99esto%C5%BEe%20p%C5%AFvodn%C3%AD%20projekt%20ne-byl%20zam%C3%BD%C5%A1len,vl%C3%A1dn%C3%AD%20%C4%8Dtvrti%20%C4%8Cand%C3%.
[22] NICHOLS, Kate a Sarah Victoria TURNER. What is to become of the Crystal Palace? The Crystal Palace after 1851 [online]. Manchester: Manchester University Press, 2017 [cit. 2023-04-29]. Dostupný z www: https://doi.org/10.7765/9781526114938.00007
[23] O'DOHERTY, Brian. Inside the White Cube: The Ideology of the Gallery Space. 2. vyd. San Francisco: The Lapis Press, 1976. 91 s. ISBN 0-932499-05-8.
[24] OMA [online]. [cit. 2023-12-10]. Dostupný z www: https://www.oma.com/projects/stedelijk-base/.
[25] PISAREK, Adam. The Museum as a Laboratory of Change. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 4, s. 5–20 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_4_23_pisarek.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.4.1
[26] POPOVICKA, Jekaterina. Koncepce architektonických návrhů uměleckých muzeí v 50.–70. letech 20. století. Brno: Masarykova univerzita, Filozofická fakulta, Ústav archeologie a muzeologie, 2023. 116 s. Diplomová práce. Vedoucí práce Mgr. Václav Rutar.
[27] Proposal for a museum. El Lissitzki's Kabinett den Abstrakten. In SFMOMA's OpenSpace [online]. [cit. 2024-04-24]. Dostupný z www: https://openspace.sfmoma.org/2013/01/proposal-for-a-museum-ellissitzky/.
[28] SEARING, Helen. The development of a museum typology. In STEPHENS, Suzanne (ed.). Building the new museum. New York: The Architectural League of New York, 1986, s. 14–23. ISBN 10-0-910413-33-9.
[29] Sprengel Museum Hannover [online]. [cit. 2023-04-29]. Dostupný z www: https://sprengel.hannover-stadt.de/detail.
[30] Stedelijk BASE. In OMA [online]. [cit. 2024-04-24]. Dostupný z www: https://www.oma.com/projects/stedelijk-base.
[31] TAMRULAN, Faisal Bin. Flexible gallery spaces as strategy to improve user experience and sociability [online]. Johor: Universiti Teknologi Malaysia, 2019 [cit. 2023-12-8]. Dostupný z www: https://issuu.com/faisaltamrulan/docs/final_flexible_gallery_space. Diplomová práce.
[32] The Art of This Century Gallery Venue Overview and Analysis [online]. New York: The Art Story, 2023 [cit. 2023-03-18]. Dostupný z www: https://www.theartstory.org/venue/gallery-art-of-thiscentury/.
[33] The Syntax and Semantics of Modelling Exhibition Spaces: A Case Study of the Hryhorii Skovoroda National Literary and Memorial Museum, Ukraine. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 3, s. 5–22 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_3_23_Bondarenko.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.3.1
[34] TZORTZI, Kali. Museum Space: Where Architecture Meets Museology. Abingdon: Routledge, 2015. 296 s. ISBN 978-1-4724-3901-7.
[35] Unparalleled flexibility: Gallery design museum-quality gallery space by Nicolas Ho. In A'Design Award & Competition [online]. [cit. 2024-04-24]. Dostupný z www: https://competition.adesignaward.com/design.php?ID=27337.
[36] Weekend van de Wetenschap Stedelijk BASE. In Stedelijk Museum [online]. [cit. 2024-04-24]. Dostupný z www: https://www.stedelijk.nl/nl/evenementen/weekend-van-dewetenschap-stedelijk-base.
[37] ZIĘBIŃSKA-WITEK, Anna. Can the Museum Be an Agent of Social Change? A New Model of the Functioning of the Museum in the Twenty-First Century. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 3, s. 5–22 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_3_23_Witek.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.3.2
[2] CIBULKOVÁ, Kateřina. Architektura stálých expozic a jejich působení na diváka. In PACHMANOVÁ, Martina (ed.). EXpozice: O vystavování muzejních sbírek umění, designu a architektury. Praha: Vysoká škola uměleckoprůmyslová, 2018, s. 180–191. ISBN 978-8087989-51-7.
[3] Figuríny na surrealistické výstavě. In YouTube [online]. [cit. 2023-04-29]. Dostupný z www: https://youtu.be/YsOMNPJDZa0.
[4] FIROUZKOUHI, Farideh. Spatial Flexibility in Museum Buildings and Examination of Current Samples. Gazi University Journal of Science, 2019, roč. 7, č. 2, s. 315–328. ISSN 1303-9709.
[5] Friedrich Kiesler, Surrealist Gallery, Art of This Century. In Youtube [online]. [cit. 2023-03-18]. Dostupný z www: https://youtu.be/8x0mY9vbQf4.
[6] GHARAVI ALKHANSARI, Maryam. Toward a convergent model of flexibility in architecture. Journal of Architecture and Urbanism, 2018, roč. 42, č. 2, s. 120–133. ISSN 2029-7955. https://doi.org/10.3846/jau.2018.6241
[7] Kabinett der Abstrakten VR Demo. In Youtube [online]. [cit. 2023-04-29]. Dostupný z www: https://youtu.be/FNd9ZIyuOo4.
[8] KIESLER, Frederick J. On Correalism and Biotechnique. A Definition and Test of a New Approach to Building Design. Architectural Record [online]. 1939, roč. 86, č. 3, s. 60–75 [cit. 2023-03-18]. Dostupný z www: https://apolonijasustersic.com/wp-content/uploads/2017/04/friedrich-kiesler-oncorrealism-and-biotechnique-1.pdf. ISSN 0003-858X.
[9] KRONENBURG, Robert. Adaptable Architecture – Flexible Dwelling. An essay for the University of Pescara journal Piano Progetto Cittá. In Academia.edu [online]. [cit. 2023-04-28]. Dostupný z www: https://www.academia.edu/35672709/Adaptable_Architecture_Flexible_Dwelling.
[10] KRONENBURG, Robert. Flexible Architecture: The Cultural Impact of Responsive Building. Open House International, 2005, roč. 30, č. 2, s. 59–65. ISSN 0168-2601. https://doi.org/10.1108/OHI-02-2005-B0008
[11] KRONENBURG, Robert. Modern Architecture and the Flexible Dwelling. In SCHWARTZCLAUSS, Mathias a Alexander von VEGESACK (eds.). Living in Motion: Design and Architecture for Flexible Dwelling. Weil am Rhein: Vitra Design, 2002, s. 18–77. ISBN 978-3-931936-35-8.
[12] Layout and collections. In Museo Correr [online]. [cit. 2024-04-24]. Dostupný z www: https://correr.visitmuve.it/en/il-museo/layout-and-collections/secondfloor.
[13] LE CORBUSIER. OEuvre Complète. Díl II (1929–1934). 17. vyd. Basel: Birkhäuser, 2013, s. 72–73. ISBN 978-3-7643-5504-3.
[14] LEHMANN, Maria-Rosa. The 1938 Exposition internationale du surréalisme and Acte manqué: The Terror of Memory and the Terror to Come. Lingua romana, 2018, roč. 13, č. 1, s. 99–112. ISSN 1551-4730.
[15] LEVIN, Michael D. The Modern Museum Temple or Showroom. Shoham: Dvir Publishing House, 1984, s. 33–35. ISBN 10-965-01-0105-5.
[16] MCCLELLAN, Andrew. The art museum from Boullée to Bilbao. Berkeley: University of California Press, 2008. 364 s. ISBN 978-0-520-25126-7.
[17] MONTANER, Josep Maria. Museums for the 21st Century. Barcelona: Editorial Gustavo Gili, 2003. 160 s. ISBN 10-8425219248.
[18] MOOS, Stanislaus von. A museum explosion: fragments of an overview. In GREUB, Suzanne, Vittorio MAGNAGO LAMPUGNANI a Angeli SACHS (eds.). Museums for a new millennium: concepts, projects, buildings. London: Prestel, 1999, s. 15–27. ISBN 978-3-7913-2219-3.
[19] Museo Correr [online]. [cit. 2023-03-18]. Dostupný z www: https://correr.visitmuve.it/it/il-museo/percorsi-ecollezioni/piano-secondo/.
[20] NAREDI-RAINER, Paul von. Museum buildings: a design manual. Basel: Birkhäuser, 2004. 248 s. ISBN 978-3-7643-6580-6.
[21] Národní muzeum pro západní umění. In Archiweb [online]. [cit. 2023-04-28]. Dostupný z www: https://www.archiweb.cz/b/narodni-muzeum-pro-zapadniumeni#:~:text=P%C5%99esto%C5%BEe%20p%C5%AFvodn%C3%AD%20projekt%20ne-byl%20zam%C3%BD%C5%A1len,vl%C3%A1dn%C3%AD%20%C4%8Dtvrti%20%C4%8Cand%C3%.
[22] NICHOLS, Kate a Sarah Victoria TURNER. What is to become of the Crystal Palace? The Crystal Palace after 1851 [online]. Manchester: Manchester University Press, 2017 [cit. 2023-04-29]. Dostupný z www: https://doi.org/10.7765/9781526114938.00007
[23] O'DOHERTY, Brian. Inside the White Cube: The Ideology of the Gallery Space. 2. vyd. San Francisco: The Lapis Press, 1976. 91 s. ISBN 0-932499-05-8.
[24] OMA [online]. [cit. 2023-12-10]. Dostupný z www: https://www.oma.com/projects/stedelijk-base/.
[25] PISAREK, Adam. The Museum as a Laboratory of Change. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 4, s. 5–20 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_4_23_pisarek.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.4.1
[26] POPOVICKA, Jekaterina. Koncepce architektonických návrhů uměleckých muzeí v 50.–70. letech 20. století. Brno: Masarykova univerzita, Filozofická fakulta, Ústav archeologie a muzeologie, 2023. 116 s. Diplomová práce. Vedoucí práce Mgr. Václav Rutar.
[27] Proposal for a museum. El Lissitzki's Kabinett den Abstrakten. In SFMOMA's OpenSpace [online]. [cit. 2024-04-24]. Dostupný z www: https://openspace.sfmoma.org/2013/01/proposal-for-a-museum-ellissitzky/.
[28] SEARING, Helen. The development of a museum typology. In STEPHENS, Suzanne (ed.). Building the new museum. New York: The Architectural League of New York, 1986, s. 14–23. ISBN 10-0-910413-33-9.
[29] Sprengel Museum Hannover [online]. [cit. 2023-04-29]. Dostupný z www: https://sprengel.hannover-stadt.de/detail.
[30] Stedelijk BASE. In OMA [online]. [cit. 2024-04-24]. Dostupný z www: https://www.oma.com/projects/stedelijk-base.
[31] TAMRULAN, Faisal Bin. Flexible gallery spaces as strategy to improve user experience and sociability [online]. Johor: Universiti Teknologi Malaysia, 2019 [cit. 2023-12-8]. Dostupný z www: https://issuu.com/faisaltamrulan/docs/final_flexible_gallery_space. Diplomová práce.
[32] The Art of This Century Gallery Venue Overview and Analysis [online]. New York: The Art Story, 2023 [cit. 2023-03-18]. Dostupný z www: https://www.theartstory.org/venue/gallery-art-of-thiscentury/.
[33] The Syntax and Semantics of Modelling Exhibition Spaces: A Case Study of the Hryhorii Skovoroda National Literary and Memorial Museum, Ukraine. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 3, s. 5–22 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_3_23_Bondarenko.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.3.1
[34] TZORTZI, Kali. Museum Space: Where Architecture Meets Museology. Abingdon: Routledge, 2015. 296 s. ISBN 978-1-4724-3901-7.
[35] Unparalleled flexibility: Gallery design museum-quality gallery space by Nicolas Ho. In A'Design Award & Competition [online]. [cit. 2024-04-24]. Dostupný z www: https://competition.adesignaward.com/design.php?ID=27337.
[36] Weekend van de Wetenschap Stedelijk BASE. In Stedelijk Museum [online]. [cit. 2024-04-24]. Dostupný z www: https://www.stedelijk.nl/nl/evenementen/weekend-van-dewetenschap-stedelijk-base.
[37] ZIĘBIŃSKA-WITEK, Anna. Can the Museum Be an Agent of Social Change? A New Model of the Functioning of the Museum in the Twenty-First Century. Muzeológia a kultúrne dedičstvo [online]. 2023, roč. 11, č. 3, s. 5–22 [cit. 2024-04-20]. Dostupný z www: https://muzeologia.sk/index_htm_files/MKD_3_23_Witek.pdf. ISSN 2453-9759. https://doi.org/10.46284/mkd.2023.11.3.2