Název: Testing the psychological and social limits of female im/potency : transgressive elements in Elizabeth Inchbald's A simple story
Zdrojový dokument: Brno studies in English. 2002, roč. 28, č. 1, s. [147]-160
Rozsah
[147]-160
-
ISSN1211-1791
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/104060
Type: Článek
Jazyk
Licence: Neurčená licence
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] Brophy, Elizabeth Bregen (1991). Women's Lives and the Eighteenth-Century English Novel (Tampa: U of South Florida P).
[2] Castle, Terry (1986). Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (Stanford: Stanford UP).
[3] Cixous, Hélène (1980). "The Laugh of the Medusa", trans. Keith Cohen and Paula Kohen, in Marks, Elaine and Courtivron, Isaelle de, eds. (1980), 245-64.
[4] Craft-Fairchild, Catherine (1993). Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women (University Park: Pennsylvania State UP).
[5] Ford, Susan Allen (1994). "'A name more dear': Daughters, Fathers, and Desire in A Simple Story, The False Friend, and Mathilda", in Wilson, Carol Shiner & Haefner, Joel, eds. (1994), 51-71.
[6] Gilbert, Sandra & Gubar, Susan (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale UP).
[7] Gonda, Caroline (1996). Reading Daughters' Fictions, 1709-1834: Novels and Society from Manley to Edgeworth (New York: Cambridge UP).
[8] Inchbald, Elizabeth (1967). A Simple Story. 1791 (London: Oxford UP).
[9] Irigaray, Luce (1985). Speculum of the Other Woman, trans. Gillian C. Gill (Ithaca: Cornell UP).
[10] Irigaray, Luce (1985). This Sex Which Is Not One, trans. Catherine Porter (Ithaca: Cornell UP).
[11] Kelly, Gary (1976). The English Jacobin Novel, 1780-1805 (Oxford: Claredon P).
[12] Lott, Anna (1994). "Sexual Politics in Elizabeth Inchbald", Studies in English Literature 1500-1900 34:3 (1994): 635-48. | DOI 10.2307/450886
[13] MacCarthy, B. G. (1994 [1946-1947]). The Female Pen: Women Writers and Novelists, 1621-1818 (New York: New York UP).
[14] Macheski, Cecilia. "Penelope's Daughter: Images of Needlework in Eighteenth-Century Literature", in Schofield, Mary Anne & Macheski, Cecilia, eds. (1986), 85-100.
[15] Marks, Elaine and Courtivron, Isaelle de, eds. (1980). New French Feminisms: An Anthology (Amherst: U of Massachusetts P).
[16] Mews, Hazel (1969). Frail Vessels: Woman's Role in Women's Novels from Fanny Bumey to George Eliot (London: Athlone P).
[17] Newton, Judith Lowder (1981). Women, Power, and Subversion: Social Strategies in British Fiction. 1778-1860 (Athens: U of Georgia P).
[18] Rogers, Katharine M. (1981). "Dreams and Nightmares: Male Characters in the Feminine Novel of the Eighteenth Century", in Todd, Janet, ed. (1981), 9-24.
[19] Schofield, Mary Anne & Macheski, Cecilia, eds. (1986). Fetter'd or Free?: British Women Novelists, 1670-1815 (Athens: Ohio UP).
[20] Schofield, Mary Anne (1990). Masking and Unmasking the Female Mind: Disguising Romances in Feminine Fiction, 1713-1799 (Newark: U of Delaware P).
[21] Spacks, Patricia Meyer (1990). Desire and Truth: Functions of Plot in Eighteenth-Century English Novels (Chicago: U of Chicago P).
[22] Spencer, Jane (1986). Rise of the Woman Novelist from Aphra Behn to Jane Austen (Oxford: Basil).
[23] Spender, Dale (1986). Mothers of the Novel: 100 Good Women Writers before Jane Austen (London: Pandora).
[24] Stone, Lawrence (1977). The Family, Sex and Marriage in England, 1500-1800 (New York: Harper)
[25] Tanner, Tony (1979). Adultery in the Novel: Contract and Transgression (Baltimore: Johns Hopkins).
[26] Todd, Janet (1989). The Sign of Angellica: Women, Writing and Fiction, 1660-1800 (New York: Columbia UP).
[27] Todd, Janet, ed. (1981). Men by Women (New York: Holmes).
[28] Ty, Eleanor (1993). "Disruption and Containment: The Mother and Daughter in A Simple Story", in Unsex'd Revolutionaries: Five Women Novelists of the 1790s. (Toronto: U of Toronto P).
[29] Watson, Barbara Bellow (1975-76). "On Power and the Literary Text", Signs 1 (1975-76): 111-18.
[30] Wilson, Carol Shiner & Haefner, Joel, eds. (1994). Re-Visioning Romanticism: British Women Writers, 1776-1837 (Philadelphia: U of Pennsylvania P).
[2] Castle, Terry (1986). Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (Stanford: Stanford UP).
[3] Cixous, Hélène (1980). "The Laugh of the Medusa", trans. Keith Cohen and Paula Kohen, in Marks, Elaine and Courtivron, Isaelle de, eds. (1980), 245-64.
[4] Craft-Fairchild, Catherine (1993). Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women (University Park: Pennsylvania State UP).
[5] Ford, Susan Allen (1994). "'A name more dear': Daughters, Fathers, and Desire in A Simple Story, The False Friend, and Mathilda", in Wilson, Carol Shiner & Haefner, Joel, eds. (1994), 51-71.
[6] Gilbert, Sandra & Gubar, Susan (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven: Yale UP).
[7] Gonda, Caroline (1996). Reading Daughters' Fictions, 1709-1834: Novels and Society from Manley to Edgeworth (New York: Cambridge UP).
[8] Inchbald, Elizabeth (1967). A Simple Story. 1791 (London: Oxford UP).
[9] Irigaray, Luce (1985). Speculum of the Other Woman, trans. Gillian C. Gill (Ithaca: Cornell UP).
[10] Irigaray, Luce (1985). This Sex Which Is Not One, trans. Catherine Porter (Ithaca: Cornell UP).
[11] Kelly, Gary (1976). The English Jacobin Novel, 1780-1805 (Oxford: Claredon P).
[12] Lott, Anna (1994). "Sexual Politics in Elizabeth Inchbald", Studies in English Literature 1500-1900 34:3 (1994): 635-48. | DOI 10.2307/450886
[13] MacCarthy, B. G. (1994 [1946-1947]). The Female Pen: Women Writers and Novelists, 1621-1818 (New York: New York UP).
[14] Macheski, Cecilia. "Penelope's Daughter: Images of Needlework in Eighteenth-Century Literature", in Schofield, Mary Anne & Macheski, Cecilia, eds. (1986), 85-100.
[15] Marks, Elaine and Courtivron, Isaelle de, eds. (1980). New French Feminisms: An Anthology (Amherst: U of Massachusetts P).
[16] Mews, Hazel (1969). Frail Vessels: Woman's Role in Women's Novels from Fanny Bumey to George Eliot (London: Athlone P).
[17] Newton, Judith Lowder (1981). Women, Power, and Subversion: Social Strategies in British Fiction. 1778-1860 (Athens: U of Georgia P).
[18] Rogers, Katharine M. (1981). "Dreams and Nightmares: Male Characters in the Feminine Novel of the Eighteenth Century", in Todd, Janet, ed. (1981), 9-24.
[19] Schofield, Mary Anne & Macheski, Cecilia, eds. (1986). Fetter'd or Free?: British Women Novelists, 1670-1815 (Athens: Ohio UP).
[20] Schofield, Mary Anne (1990). Masking and Unmasking the Female Mind: Disguising Romances in Feminine Fiction, 1713-1799 (Newark: U of Delaware P).
[21] Spacks, Patricia Meyer (1990). Desire and Truth: Functions of Plot in Eighteenth-Century English Novels (Chicago: U of Chicago P).
[22] Spencer, Jane (1986). Rise of the Woman Novelist from Aphra Behn to Jane Austen (Oxford: Basil).
[23] Spender, Dale (1986). Mothers of the Novel: 100 Good Women Writers before Jane Austen (London: Pandora).
[24] Stone, Lawrence (1977). The Family, Sex and Marriage in England, 1500-1800 (New York: Harper)
[25] Tanner, Tony (1979). Adultery in the Novel: Contract and Transgression (Baltimore: Johns Hopkins).
[26] Todd, Janet (1989). The Sign of Angellica: Women, Writing and Fiction, 1660-1800 (New York: Columbia UP).
[27] Todd, Janet, ed. (1981). Men by Women (New York: Holmes).
[28] Ty, Eleanor (1993). "Disruption and Containment: The Mother and Daughter in A Simple Story", in Unsex'd Revolutionaries: Five Women Novelists of the 1790s. (Toronto: U of Toronto P).
[29] Watson, Barbara Bellow (1975-76). "On Power and the Literary Text", Signs 1 (1975-76): 111-18.
[30] Wilson, Carol Shiner & Haefner, Joel, eds. (1994). Re-Visioning Romanticism: British Women Writers, 1776-1837 (Philadelphia: U of Pennsylvania P).