"Italianità" als musikalisches Phänomen im barocken Europa : zu Opern und Kantaten in Frankreich und Deutschland

Variantní název
"Italianità" as a musical phenomenon in the baroque Europe : on opera and cantata in France and Germany
Autor: Jung, Hermann
Zdrojový dokument: Musicologica Brunensia. 2018, roč. 53, č. Supplementum, s. 317-323
  • ISSN
    1212-0391 (print)
    2336-436X (online)
Type: Článek
Licence: Neurčená licence
While the term "Italianità" is originated in the 19th century, it can also be applied to phenomena of Italian music in Europe during the baroque period. When the genres of opera and cantata began to be established in Italy, a remarkable export to other European countries started, especially to France and Germany. Some examples will be shown (L. Rossi, L. N. Clérambault, J. Ph. Rameau, G. Ph. Telemann) in order to discuss the application of subjects, forms and musical styles, and furthermore the development and redefinition. The Orpheus myth and its conversions in libretto and musical adaption will be spotlighted in particular.
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[2] JUNG, Hermann. Orpheus und die Musik. Metamorphosen eines antiken Mythos in der europäischen Kulturgeschichte. Berlin: Peter Lang Verlag, 2018.

[3] OESCH, Hans – ARLT, Wulf – HAAS, Max (Hrsg.). Forum musicologicum (= Basler Beiträge zur Musikgeschichte, Bd. 4). Winterthur/Schweiz: Amadeus Verlag, 1984.