Název: Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina
Zdrojový dokument: Theatralia. 2020, roč. 23, č. 1, s. 62-80
Rozsah
62-80
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2020-1-6
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/142550
Type: Článek
Jazyk
anglicky
Licence: CC BY-NC-ND 4.0 International
Abstrakt(y)
Otakar Zich's opera Vina [Guilt] met with contentious criticism at its premiere in 1922. Nevertheless, its score demonstrates many of the concepts of musico-dramatic narrative outlined in his seminal text, The Aesthetics of Dramatic Art, specifically that of multivocality – the multiple modes of communication perceived through time in continuous unfolding. Vina also employs concepts of silence and sound that resonate with Vladimir Jankélévitch's Music and the Ineffable.
Klíčová slova
Reference
[1] ABBATE, Carolyn. 1991. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press, 1991.
[2] BURJANEK, Josef. 1966. Otakar Zich: studie k vývoji českého muzikologického myšlení v první třetině našeho století [Otakar Zich: Studies in the Development of Czech Musicological Thought in the First Third of Our Century]. Prague: Státní pedagogické nakladatelství, 1966.
[3] CAGE, John. 2013. Silence: Lectures and Writings. Middletown, Conn.: Wesleyan University Press, 2013.
[4] HUTTER, Josef. 1922. Otakar Zich a jeho hudební drama 'Vina': poznámky a rozbor díla [Otakar Zich and His Musical Drama, Vina: Notes and Analysis of the Work]. Prague: Melantrich, 1922.
[5] JANKÉLÉVITCH, Vladimir. 1957. Le je-ne-sais-quoi et le presque-rien. Paris: Presses universitaires de France, 1957.
[6] JANKÉLÉVITCH, Vladimir. 2003. Music and the Ineffable. Transl. by Carolyn Abbate. Princeton: Princeton University Press, 2003.
[7] JUSOVÁ, Iveta. 2004. Re-inflecting Femininity on the Czech Fin-de-siècle Stage: An Analysis of Hana Kvapilová's Acting Style. Theatre History Studies 24 (June 2004): 35–56.
[8] LOCKE, Brian S. 2006. Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938. Rochester, N. Y.: University of Rochester Press, 2006.
[9] LOCKE, Brian S. 2008. The 'Wozzeck Affair': Modernism and the Crisis of Audience in Prague. Journal of Musicological Research 27 (2008): 1: 63–93. | DOI 10.1080/01411890701804788
[10] [N.a.] 1922. Ot. Zich: Vina (Revue kritik) [Otakar Zich: Vina (Overview of Criticism)]. Tempo – Listy Hudební matice 1 (April 1922): 7: 104–107.
[11] PALA, František. 1964. Opera Národního divadla v období Otakara Ostrčila [Opera at the National Theatre in the Era of Otakar Ostrčil], vol. 2. Prague: Divadelní ústav, 1964.
[12] SCHIANO, Michael J. 2001. Grundgestalt [online]. Grove Music Online [accessed on 21. 5. 2019]. Available online at https://doi-org.wiulibraries.idm.oclc.org/10.1093/gmo/9781561592630.article.11868.
[13] SCHOENBERG, Arnold. 1950. Linear Counterpoint. In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. Transl. by Leo Black. New York: Philosophical Library, 1950: 289–295.
[14] SCHOENBERG, Arnold. 1975. Opinion or Insight? In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. 2nd ed., Transl. by Dika Newlin. New York: St. Martin's Press, 1975: 258–264.
[15] ŠILHAN, Antonín. 1922. Finis musicæ [The End of Music]. Národní listy (15. 3. 1922).
[16] ŠOUREK, Otakar. 1922. Otakar Zich: Vina. Venkov (16. 3. 1922).
[17] ZICH, Otakar. 1914. Moderní opera [Modern Opera]. Osvěta 44 (1914): 481–493; 569–579.
[18] ZICH, Otakar. 1922. Píseň paní Mařákové [Mrs. Mařáková's Song]. Prague: Em. Starý, 1922.
[19] ZICH, Otakar. 1927a. Dramatické možnosti opery [The Dramatic Possibilities of Opera]. In Josef Kodíček and Miroslav Rutte. Nové české divadlo 1918–1926. Prague: Aventinum, 1927: 84–91.
[20] ZICH, Otakar. 1927b. Jak se komponuje opera [How One Composes Opera]. In Nové české divadlo 1927. Prague: Aventinum, 1927: 86–88.
[21] ZICH, Otakar. 1933. Autoři o sobě. U mistra Otakara Zicha [Authors about Themselves: With Maestro Otakar Zich]. Česká hudba 36 (15. 1. 1933): 9: 132–135.
[22] ZICH, Otakar. 1977 [1931]. Estetika dramatického umění [The Aesthetics of Dramatic Art]. Reprint ed. Oleg Sus. Würzburg: Jal-Reprint, 1977.
[23] ZICH, Otakar. 2014a. Vina [Guilt], vol. 1. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[24] ZICH, Otakar. 2014b. Vina [Guilt], vol. 2. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[25] ZICH, Otakar. 2014c. Vina [Guilt], vol. 3. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[26] ZICH, Otakar. n.d. The Aesthetics of Dramatic Art. Transl. by Ivo Osolsobě [unpublished typescript].
[27] ZICH, Otakar. n.d. Vina [Guilt]. Autograph orchestral score, piano-vocal scores, orchestral parts, and libretto. Prague: Hudební Archiv, Národní divadlo v Praze, MS. H 177.
[2] BURJANEK, Josef. 1966. Otakar Zich: studie k vývoji českého muzikologického myšlení v první třetině našeho století [Otakar Zich: Studies in the Development of Czech Musicological Thought in the First Third of Our Century]. Prague: Státní pedagogické nakladatelství, 1966.
[3] CAGE, John. 2013. Silence: Lectures and Writings. Middletown, Conn.: Wesleyan University Press, 2013.
[4] HUTTER, Josef. 1922. Otakar Zich a jeho hudební drama 'Vina': poznámky a rozbor díla [Otakar Zich and His Musical Drama, Vina: Notes and Analysis of the Work]. Prague: Melantrich, 1922.
[5] JANKÉLÉVITCH, Vladimir. 1957. Le je-ne-sais-quoi et le presque-rien. Paris: Presses universitaires de France, 1957.
[6] JANKÉLÉVITCH, Vladimir. 2003. Music and the Ineffable. Transl. by Carolyn Abbate. Princeton: Princeton University Press, 2003.
[7] JUSOVÁ, Iveta. 2004. Re-inflecting Femininity on the Czech Fin-de-siècle Stage: An Analysis of Hana Kvapilová's Acting Style. Theatre History Studies 24 (June 2004): 35–56.
[8] LOCKE, Brian S. 2006. Opera and Ideology in Prague: Polemics and Practice at the National Theatre, 1900–1938. Rochester, N. Y.: University of Rochester Press, 2006.
[9] LOCKE, Brian S. 2008. The 'Wozzeck Affair': Modernism and the Crisis of Audience in Prague. Journal of Musicological Research 27 (2008): 1: 63–93. | DOI 10.1080/01411890701804788
[10] [N.a.] 1922. Ot. Zich: Vina (Revue kritik) [Otakar Zich: Vina (Overview of Criticism)]. Tempo – Listy Hudební matice 1 (April 1922): 7: 104–107.
[11] PALA, František. 1964. Opera Národního divadla v období Otakara Ostrčila [Opera at the National Theatre in the Era of Otakar Ostrčil], vol. 2. Prague: Divadelní ústav, 1964.
[12] SCHIANO, Michael J. 2001. Grundgestalt [online]. Grove Music Online [accessed on 21. 5. 2019]. Available online at https://doi-org.wiulibraries.idm.oclc.org/10.1093/gmo/9781561592630.article.11868.
[13] SCHOENBERG, Arnold. 1950. Linear Counterpoint. In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. Transl. by Leo Black. New York: Philosophical Library, 1950: 289–295.
[14] SCHOENBERG, Arnold. 1975. Opinion or Insight? In Leonard Stein (ed.). Style and Idea: Selected Writings of Arnold Schoenberg. 2nd ed., Transl. by Dika Newlin. New York: St. Martin's Press, 1975: 258–264.
[15] ŠILHAN, Antonín. 1922. Finis musicæ [The End of Music]. Národní listy (15. 3. 1922).
[16] ŠOUREK, Otakar. 1922. Otakar Zich: Vina. Venkov (16. 3. 1922).
[17] ZICH, Otakar. 1914. Moderní opera [Modern Opera]. Osvěta 44 (1914): 481–493; 569–579.
[18] ZICH, Otakar. 1922. Píseň paní Mařákové [Mrs. Mařáková's Song]. Prague: Em. Starý, 1922.
[19] ZICH, Otakar. 1927a. Dramatické možnosti opery [The Dramatic Possibilities of Opera]. In Josef Kodíček and Miroslav Rutte. Nové české divadlo 1918–1926. Prague: Aventinum, 1927: 84–91.
[20] ZICH, Otakar. 1927b. Jak se komponuje opera [How One Composes Opera]. In Nové české divadlo 1927. Prague: Aventinum, 1927: 86–88.
[21] ZICH, Otakar. 1933. Autoři o sobě. U mistra Otakara Zicha [Authors about Themselves: With Maestro Otakar Zich]. Česká hudba 36 (15. 1. 1933): 9: 132–135.
[22] ZICH, Otakar. 1977 [1931]. Estetika dramatického umění [The Aesthetics of Dramatic Art]. Reprint ed. Oleg Sus. Würzburg: Jal-Reprint, 1977.
[23] ZICH, Otakar. 2014a. Vina [Guilt], vol. 1. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[24] ZICH, Otakar. 2014b. Vina [Guilt], vol. 2. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[25] ZICH, Otakar. 2014c. Vina [Guilt], vol. 3. Ed. by Brian S. Locke. Middleton, Wisc.: A-R Editions, Inc., 2014.
[26] ZICH, Otakar. n.d. The Aesthetics of Dramatic Art. Transl. by Ivo Osolsobě [unpublished typescript].
[27] ZICH, Otakar. n.d. Vina [Guilt]. Autograph orchestral score, piano-vocal scores, orchestral parts, and libretto. Prague: Hudební Archiv, Národní divadlo v Praze, MS. H 177.