Název: Reconstructing the glorious past : Bronislava Nijinska's School of Movement
Zdrojový dokument: Theatralia. 2022, roč. 25, č. 2, s. 203-222
Rozsah
203-222
-
ISSN1803-845X (print)2336-4548 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/TY2022-2-18
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.77261
Type: Článek
Jazyk
Licence: CC BY-NC-ND 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Reference
[1] [ADVERTISEMENT OF NIJINSKA SCHOOL OF MOVEMENT]. 1919. Posledniie novosti (19. 1. 1919): 4.
[2] E. M. 1920. Vecher Bronislavy Nizhinskoj [The Night of Bronislava Nijinska]. Kievskij den (8. 6. 1920): 2.
[3] GARAFOLA, Lynn. 1987. Bronislava Nijinska: A Legacy Uncovered. Women & Performance: A Journal of Feminist Theory 3 (1987): 2: 78–89.
[4] GARAFOLA, Lynn. 2011. An Amazon of the Avant-Garde: Bronislava Nijinska in Revolutionary Russia. Dance Research 29 (2011): 2: 109–166.
[5] KOVALENKO, Georgy. 2014. Bronislava Nijinska i Aleksandra Exter [Bronislava Nijinska and Alexandra Exter]. Voprosy teatra 16 (2014): 3–4: 293–322.
[6] KURINNA, Maryna. 2011. Pro kyїvskyj period tvorchosti Bronislavy Nizhynskoї [On the Kyiv Period in the Creative Work of Bronislava Nijinska]. Studiї mystetstvoznavchi (2011): 1: 72–78.
[7] KURINNA, Maryna. 2012. Serzh Lyfar: vid kyїvskoi Zentrostudiї do Paryzkoї Opery [Serge Lifar: From Kyiv Central Studio to Paris Opera]. Studii mystetstvoznavchi (2012): 1: 86–91.
[8] KYSIL, Oleksandr. 1923. Otkrytie teatra imeni Gnata Mykhajlichenka [The Opening of the Hnat Mykhajlychenko Theatre]. Teatr (1923): 7–8: 11.
[9] MORRIS, Geraldine and Larraine NICHOLAS (eds). 2018. Rethinking Dance History: Issues and Methodologies. Abington/Oxon/New York: Routledge, 2018.
[10] NIJINSKA, Bronislava. 1999. Ranniie vospominaniia. Chast 2 [Early Recollections, Part 2]. Moscow: ART, 1999.
[11] NIJINSKA, Bronislava. 2014. Chernota delaiet roscherk v dushe moej. Dnevnik (1919–1922) [Darkness Makes a Sign in My Soul: The Diary, 1919–1922]. In Vladislav Ivanov (ed.). Mnemozina. Dokumenty i fakty iz istorii otechestvennogo teatra XX veka [Mnemosyne: Documents and Facts from the History of the National Theatre of the 20th Century]. Vol. 6. Moscow: Indrik, 2014: 297–412.
[12] PARKER-STARBUCK, Jennifer and Roberta MOCK. 2011. Researching the Body in/as Performance. In Baz Kershaw and Helen Nicholson (eds.). Research Methods in Theatre and Performance. Edinburgh: University Press, 2011: 210–235.
[13] RATANOVA, Maria. 2010. The Choreographic Avant-garde in Kyiv: 1916–1921. Bronislava Nijinska and Her Ecole de Mouvement. In Irena R. Makaryk and Virlana Tkacz (eds.). Modernism in Kyiv: Jubilant Experimentation. Toronto: University Press of Toronto, 2010: 311–320.
[14] SIBILSKA-SIUDYM, Joanna. 2016. Bronislawa Nizynska i Polski Balet Reprezentacyjny. Vestnik Akademii Russkogo baleta imeni A. Ia. Vaganovoi (2016): 2: 57–68.
[15] TERESHCHENKO, Marko. 1974. Kriz let chasu [Through the Flight of Time]. Kyiv: Mystetstvo, 1974.
[16] VOLKHONOVYCH, Iulia. 1997. Bronislava Nizhynska i Les Kurbas [Bronislava Nijinska and Les Kurbas]. Ukraїnskyj teatr (1997): 1: 10–13.
[2] E. M. 1920. Vecher Bronislavy Nizhinskoj [The Night of Bronislava Nijinska]. Kievskij den (8. 6. 1920): 2.
[3] GARAFOLA, Lynn. 1987. Bronislava Nijinska: A Legacy Uncovered. Women & Performance: A Journal of Feminist Theory 3 (1987): 2: 78–89.
[4] GARAFOLA, Lynn. 2011. An Amazon of the Avant-Garde: Bronislava Nijinska in Revolutionary Russia. Dance Research 29 (2011): 2: 109–166.
[5] KOVALENKO, Georgy. 2014. Bronislava Nijinska i Aleksandra Exter [Bronislava Nijinska and Alexandra Exter]. Voprosy teatra 16 (2014): 3–4: 293–322.
[6] KURINNA, Maryna. 2011. Pro kyїvskyj period tvorchosti Bronislavy Nizhynskoї [On the Kyiv Period in the Creative Work of Bronislava Nijinska]. Studiї mystetstvoznavchi (2011): 1: 72–78.
[7] KURINNA, Maryna. 2012. Serzh Lyfar: vid kyїvskoi Zentrostudiї do Paryzkoї Opery [Serge Lifar: From Kyiv Central Studio to Paris Opera]. Studii mystetstvoznavchi (2012): 1: 86–91.
[8] KYSIL, Oleksandr. 1923. Otkrytie teatra imeni Gnata Mykhajlichenka [The Opening of the Hnat Mykhajlychenko Theatre]. Teatr (1923): 7–8: 11.
[9] MORRIS, Geraldine and Larraine NICHOLAS (eds). 2018. Rethinking Dance History: Issues and Methodologies. Abington/Oxon/New York: Routledge, 2018.
[10] NIJINSKA, Bronislava. 1999. Ranniie vospominaniia. Chast 2 [Early Recollections, Part 2]. Moscow: ART, 1999.
[11] NIJINSKA, Bronislava. 2014. Chernota delaiet roscherk v dushe moej. Dnevnik (1919–1922) [Darkness Makes a Sign in My Soul: The Diary, 1919–1922]. In Vladislav Ivanov (ed.). Mnemozina. Dokumenty i fakty iz istorii otechestvennogo teatra XX veka [Mnemosyne: Documents and Facts from the History of the National Theatre of the 20th Century]. Vol. 6. Moscow: Indrik, 2014: 297–412.
[12] PARKER-STARBUCK, Jennifer and Roberta MOCK. 2011. Researching the Body in/as Performance. In Baz Kershaw and Helen Nicholson (eds.). Research Methods in Theatre and Performance. Edinburgh: University Press, 2011: 210–235.
[13] RATANOVA, Maria. 2010. The Choreographic Avant-garde in Kyiv: 1916–1921. Bronislava Nijinska and Her Ecole de Mouvement. In Irena R. Makaryk and Virlana Tkacz (eds.). Modernism in Kyiv: Jubilant Experimentation. Toronto: University Press of Toronto, 2010: 311–320.
[14] SIBILSKA-SIUDYM, Joanna. 2016. Bronislawa Nizynska i Polski Balet Reprezentacyjny. Vestnik Akademii Russkogo baleta imeni A. Ia. Vaganovoi (2016): 2: 57–68.
[15] TERESHCHENKO, Marko. 1974. Kriz let chasu [Through the Flight of Time]. Kyiv: Mystetstvo, 1974.
[16] VOLKHONOVYCH, Iulia. 1997. Bronislava Nizhynska i Les Kurbas [Bronislava Nijinska and Les Kurbas]. Ukraїnskyj teatr (1997): 1: 10–13.