Název: Digital materialities and "real things" : some thoughts on digital objects and the museum
Variantní název:
- Digitální materiality a "skutečné věci" : několik úvah o digitálních objektech a muzeu
Zdrojový dokument: Museologica Brunensia. 2024, roč. 13, č. 2, s. 2-14
Rozsah
2-14
-
ISSN1805-4722 (print)2464-5362 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/MuB2024-2-1
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.81064
Type: Článek
Jazyk
Licence: CC BY-SA 4.0 International
Přístupová práva
otevřený přístup
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
The relationship between museums and digital materialities is complex. According to museological theory, artefacts have physical dimensions and informational ones. The latter can be digitised, adding virtual properties to physical ones. This is important for museums as primarily visual institutions and "don’t-touch places” with materiality currently holding centre stage in museological discussions. Recently, there has been a tendency to replace physical objects with effects produced by information and communication technology that offers possibilities to present digital representations of objects in contexts that are inaccessible for "real things". This paper considers some theoretical aspects of digital materialities and how they relate to the physical objects and the museum. It presents eight theses to foster the discussion on digital materiality and its consequences for museums.
Vztah mezi muzei a digitálními materialitami je složitý. Podle muzeologické teorie mají artefakty fyzické a informační rozměry. Informační rozměry lze digitalizovat a přidat tak k fyzickým vlastnostem i vlastnosti virtuální. To je důležité pro muzea, která jsou především vizuálními institucemi a "bezdotykovými místy", kde materialita je v současnosti velmi častým předmětem muzeologických diskusí. V poslední době se objevuje tendence nahrazovat fyzické objekty různými efekty produkovanými informačními a komunikačními technologiemi, které nabízejí možnosti prezentace digitálního zobrazení objektů v souvislostech, které jsou pro "skutečné věci" nedostupné. Tento článek se zabývá některými teoretickými aspekty digitálních materialit a jejich vztahem k fyzickým objektům a muzeu. Předkládá osm tezí, které mají podpořit diskusi o digitální materialitě a jejích důsledcích pro muzea.
Reference
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[38] WERE, Graeme. Out of Touch? Digital Technologies, Ethnographic Objects and Sensory Orders. In CHATTERJEE, Helen (ed.). Touch in Museums. Policy and practice in object handling. Oxford: Berg, 2008, pp. 121–134. ISBN 978-1-84788-239-4. https://doi.org/10.4324/9781003135616-11
[39] WITCOMB, Andrea. The Materiality of Virtual Technologies. A New Approach to Thinking about the Impact of Multimedia in Museums. In CAMERON, Fiona and Sarah KENDERDINE (eds.). Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge: MIT Press, 2007, pp. 35–48. ISBN 978-0-262-03353-4. https://doi.org/10.7551/mitpress/9780262033534.003.0003
[2] BENJAMIN, Walter. The Work of Art in the Age of Mechanical Reproduction [1936]. In ARENDT, Hannah (ed.). Illuminations. Walter Benjamin – Essays and Reflections. New York: Schocken Books, 1985, pp. 217–251.
[3] BRÄUNLEIN, Peter J. Material Turn. In Dinge des Wissens: Die Sammlungen, Museen und Gärten der Universität Göttingen. Göttingen: Wallstein-Verlag, 2012, pp. 30–44. ISBN 978-3-8353-1064-3.
[4] CLIFFORD, James. Museums as Contact Zones. In CLIFFORD, James (ed.). Routes. Travel and Translation in the Late Twentieth Century. Cambridge: Harvard University Press, 1997, pp. 188–220. ISBN 978-0-674-77960-0.
[5] Das erweiterte Museum: Medien, Technologien und Internet. München: Deutscher Kunstverlag, 2019. MuseumsBausteine, vol. 19. ISBN 978-3-422-98101-0.
[6] DORNHEGE, Pablo and Franziska RITTER. Im/materielle Theaterräume erlebbar machen. Sammlungsobjekte virtuell erforschen. In ANDRASCHKE, Udo and Sarah WAGNER (eds.). Objekte im Netz. Wissenschaftliche Sammlungen im digitalen Wandel. Bielefeld: transcript, 2020, pp. 147–162. ISBN 978-3-8376-5571-1. https://doi.org/10.1515/9783839455715-011
[7] DUDLEY, Sandra. Materiality Matters. Experiencing the Displayed Object. In WATSON, Sheila, Amy Jane BARNES and Katy BUNNING (eds.). A museum studies approach to heritage. London: Routledge, 2019, pp. 418–428. ISBN 978-1-138-95092-4. https://doi.org/10.4324/9781315668505-33
[8] DUDLEY, Sandra. Museum Materialities: Objects, Sense and Feeling. In DUDLEY, Sandra H. (ed.). Museum Materialities. Objects, Engagements, Interpretations. London: Routledge, 2010, pp. 1–17. ISBN 0-415-49218-1.
[9] FEHL, Philipp. In praise of imitation. Leonardo and his followers. Gazette des Beaux Arts, 1995, vol. 137, no. 126, pp. 1–12. ISSN 0016-5530.
[10] FROST, Olivia C. When the Object is Digital: Properties of Digital Surrogate Objects and Implications for Learning. In PARIS, Scott G. (ed.). Perspectives on Object-Centered Learning in Museums. Mahwah: Lawrence Erlbaum, 2002, pp. 79–94. ISBN 0-8058-3927-5.
[11] GEISMAR, Haidy. Museum object lessons for the digital age. London: UCL Press, 2018. ISBN 978-1-78735-281-0. https://doi.org/10.2307/j.ctv1xz0wz
[12] GERE, Charlie. Museums, contact zones and the internet. In BEARMAN, David and Jennifer TRANT (eds.). Museum Interactive Multimedia. Selected Papers form the Forth International Conference on Hypermedia and Interactivity in Museums (ICHIM '97) Le Louvre, Paris, France, September 1-5, 1997. Pittsburgh, PA: Archives & Museum Informatics, 1997, pp. 59–66. ISBN 1-885626-14-2.
[13] GIANNINI, Tula and Jonathan P. BOWEN. Rethinking Museum Exhibitions: Merging Physical and Digital Culture – Past to Present. In GIANNINI, Tula and Jonathan P. BOWEN (eds.). Museums and Digital Culture. New Perspectives and Research. Cham: Springer, 2019, pp. 163–193. ISBN 978-3-319-97457-6. https://doi.org/10.1007/978-3-319-97457-6_8
[14] GIANNINI, Tula and Jonathan P. BOWEN. Rethinking Museum Exhibitions: Merging Physical and Digital Culture – Present to Future. In GIANNINI, Tula and Jonathan P. BOWEN (eds.). Museums and Digital Culture. New Perspectives and Research. Cham: Springer, 2019, pp. 195–216. ISBN 978-3-319-97457-6. https://doi.org/10.1007/978-3-319-97457-6_9
[15] HOOPER-GREENHILL, Eilean. Museums and the Interpretation of Visual Culture. London: Routledge, 2000. ISBN 0-415-08633-7.
[16] KEENE, Suzanne. Becoming Digital. Museum Management and Curatorship, 1997, vol. 15, no. 3, pp. 299–313. ISSN 0260-4779. https://doi.org/10.1016/S0260-4779(96)00045-3
[17] KEENE, Suzanne. Digital Collections: Museums and the Information Age. Oxford: Butterworth-Heinemann. 1998. ISBN 0-7506-3456-1.
[18] KOMPANOWSKA, Anna. The Non-Existent Object. An Inspiriting Technology. Uncommon Culture – Journal of the ATHENA Project, 2018, vol. 7, no. 1, pp. 152–157. ISSN 2082-6923.
[19] LEONARDI, Paul M. Digital materiality? How artifacts without matter, matter. First Monday – Peer-reviewed Journal on the Internet [online]. 2010, vol. 15, no. 6–7 [accessed 2024-10-06]. Available from www: https://firstmonday.org/ojs/index.php/fm/article/view/3036/2567. ISSN 1396-0466. https://doi.org/10.5210/fm.v15i6.3036
[20] LEONARDI, Paul M. Materiality, sociomateriality, and socio-technical systems: What do these terms mean? How are they different? Do we need them? In LEONARDI, Paul M., Bonnie A. NARDI and Jannis KALLINIKOS (eds.). Materiality and organizing: Social interaction in a Technological World. Oxford: Oxford University Press, 2012, pp. 25–48. ISBN 978-0-19-966405-4. https://doi.org/10.1093/acprof:oso/9780199664054.003.0002
[21] LEONARDI, Paul M. and Stephen R. BARLEY. Materiality and change: Challenges to building better theory about technology and organizing. Information and Organization, 2008, vol. 18, no. 3, pp. 159–176. ISSN 1471-7727. https://doi.org/10.1016/j.infoandorg.2008.03.001
[22] MAIRESSE, François. Musealisation. In MAIRESSE, François (ed.). Dictionary of museology. London: Routledge, 2023, pp. 312–314. ISBN 978-1-032-07232-6.
[23] MANOFF, Marlene. The materiality of digital collections: Theoretical and historical perspectives. Portal: Libraries and the Academy, 2006, vol. 6, no. 3, pp. 311–325. ISSN 1531-2542. https://doi.org/10.1353/pla.2006.0042
[24] MARDON, Rebecca and Russell BELK. Materializing digital collecting: An extended view of digital materiality. Marketing Theory, 2018, vol. 18, no. 4, pp. 435–578. ISSN 1944-7175. https://doi.org/10.1177/1470593118767725
[25] MEEHAN, Nicole. Digital Museum Objects and Memory: Postdigital Materiality, Aura and Value. Curator: The Museum Journal, 2020, vol. 65, no. 2, pp. 1–17. ISSN 0011-3069. https://doi.org/10.1111/cura.12361
[26] NIEWERTH, Dennis. Dinge – Nutzer – Netze. Von der Virtualisierung des Musealen zur Musealisierung des Virtuellen. Bielefeld: transcript Verlag, 2018. ISBN 978-3-8394-4232-6. https://doi.org/10.1515/9783839442326
[27] OLSRUD, Janne Werner. Documenting museum objects: A practice of copying and a 'copious' practice? In BRENNA, Brita, Hans Dam CHRISTENSEN and Olav HAMRAN (eds.). Museums as Cultures of Copies. The Crafting of Artefacts and Authenticity. London: Routledge, 2019, pp. 225–237. ISBN 978-0-8153-6491-7. https://doi.org/10.4324/9781351106498-20
[28] ROMANEK, Devorah. Digital Curation. Theorising The Digital Object. In Proceedings of the 2008 Annual Conference of CIDOC "The Digital Curation of Cultural Heritage", Athens, September 15-18, 2008 [online]. [accessed 2024-10-06]. Available from www: https://cidoc.mini.icom.museum/archive/past-conferences/2008-athens/
[29] SCHWEIBENZ, Werner. Das Museumsobjekt im Zeitalter seiner digitalen Repräsentierbarkeit. In MURLASITS, Elke and Gunther REISINGER (ed.). Museum multimedial. Audiovisionäre Traditionen in aktuellen Kontexten, 9.–10. Dezember 2011, Universalmuseum Joanneum. Wien: Lit, 2012, pp. 47–70. ISBN 978-3-643-50463-0.
[30] SCHWEIBENZ, Werner. How do online visitors look for museum information? Some indications from research literature. In IV Encuentro International Museo Cerralbo, Madrid May 17th 2021: Tourists – Visitors – Followers. Museum audiences between 19th and 21st centuries: Prospect for the future. Madrid: Ministerio de Cultura y Deporte, Museo Cerralbo, 2022, pp. 203–212. ISBN 978-84-8181-799-7.
[31] SCHWEIBENZ, Werner. The Work of Art in the Age of Digital Reproduction. Museum International, 2018, vol. 70, no. 1–2, pp. 8–21. ISSN 1350-0775. https://doi.org/10.1111/muse.12189
[32] SCHWEIBENZ, Werner. Vom traditionellen zum virtuellen Museum. Die Erweiterung des Museums in den digitalen Raum des Internets. Frankfurt am Main: Deutsche Gesellschaft für Informationswissenschaft und -praxis, 2008. ISBN 978-3-925474-64-4.
[33] SMITH, Abby. Authenticity and Affect. When is a Watch not a Watch? Library Trends, 2003, vol. 52, no. 1, pp. 172–182. ISSN 1559-0682.
[34] The Yellow Milkmaid Syndrome – paintings with identity problems. In Europeana [online]. 7 January 2015 [accessed 2024-10-06]. Available from www: https://pro.europeana.eu/post/the-yellow-milkmaid-syndrome-paintings-with-identity-problems.
[35] TRISCHLER, Ronja. Digitale Materialität. Eine Ethnografie arbeitsteiliger Visual-Effects-Produktion. Bielefeld: transcript, 2021. ISBN 978-3-8394-5796-2. https://doi.org/10.1515/9783839457962
[36] VERWAYEN, Harry, Martijn ARNOLDUS and Peter B. KAUFMAN. The Problem of the Yellow Milkmaid: A Business Model Perspective on Open Metadata. In Europeana White Paper [online]. 2011, no. 2, 28 November 2011 [accessed 2024-10-06]. Available from www: https://pro.europeana.eu/post/the-problem-of-the-yellow-milkmaid.
[37] WALZ, Markus. Digitalifact. In MAIRESSE, François (ed.). Dictionary of Museology. London: Routledge, 2023, p. 131. ISBN 978-1-032-07232-6.
[38] WERE, Graeme. Out of Touch? Digital Technologies, Ethnographic Objects and Sensory Orders. In CHATTERJEE, Helen (ed.). Touch in Museums. Policy and practice in object handling. Oxford: Berg, 2008, pp. 121–134. ISBN 978-1-84788-239-4. https://doi.org/10.4324/9781003135616-11
[39] WITCOMB, Andrea. The Materiality of Virtual Technologies. A New Approach to Thinking about the Impact of Multimedia in Museums. In CAMERON, Fiona and Sarah KENDERDINE (eds.). Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge: MIT Press, 2007, pp. 35–48. ISBN 978-0-262-03353-4. https://doi.org/10.7551/mitpress/9780262033534.003.0003