Název: "the despised, adorable joyous modern way," or, The 'diverse' (?) Modernism of Canadian artists
Zdrojový dokument: Variations on community: the Canadian space. Otrísalová, Lucia (editor); Martonyi, Éva (editor). 1st edition Brno: Masaryk University, 2013, pp. 181-192
Rozsah
181-192
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.81410
Typ
Článek
Jazyk
anglicky
Přístupová práva
otevřený přístup
Licence: Neurčená licence
Popis
Traditionally, the critical discourse about Modernism focuses on its central locations and leading artists. Later research, however, stresses the plural nature of this highly experimenting trend, underlining the importance of the contribution of colonial cultures. The paper investigates the general and particular Modernist features in works by artists active in Canada in the interwar period.
Traditionnellement, le discours critique s'est occupé davantage des Centres et des artistes de grande renommée internationale. Or, plus récemment, la recherche s'interroge sur la nature plurielle des tendances d'expérimentation, en soulignant l'importance des cultures coloniales. L'article envisage l'analyse des caractéristiques, aussi bien générales que particulieres, des artistes Canadiens, déployant leur activité dans le cadre du Modernisme pendant la période de l'entre-deux-guerres.
Reference
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[3] Bradbury, Malcolm, and James McFarlane, eds. Modernism 1890–1930. Penguin Books, 1976. Print.
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[6] Carr, Emily. Growing Pains. Shadbolt 293–471.
[7] Carr, Emily. Hundreds and Thousands: The Journals of an Artist. Shadbolt 653–893.
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[14] Harris, Lawren. In the Ward. His Urban Poetry and Paintings. Ed. Gregory Betts. Holstein: Exile Editions, 2007. Print.
[15] Huyssen, Andreas. "Geographies of Modernism in a Globalizing World." Brooker and Thacker 6–18.
[16] Klein, A. M. Selected Poems. Ed. Zailig Pollock, Seymour Mayne, and Usher Caplan. Toronto: University of Toronto Press, 1997. Print.
[17] Lauzon, Gilles, and Jean-François Leclerc. "Le coeur de la métropole dans le vieux Montréal 1880-1950." L'histoire du Vieux-Montréal à travers son patrimoine. Eds. Gilles Lauzon and Madeleine Forget. Montréal: Les Publications du Québec, 2004. 199–245. Print.
[18] Matthews, Steven. Modernism. London: Arnold, 2004. Print.
[19] Matthews, Steven, ed. Modernism. A Sourcebook. Palgrave Macmillan, 2008. Print.
[20] Murray, Joan. Lawren Harris. An Introduction to His Life and Art. Firefly Books, 2003. Print.
[21] Newlands, Anne. Emily Carr. An Introduction to Her Life and Art. Firefly Books, 2002. Print.
[22] Nischik, Reingard, ed. History of Literature in Canada. English-Canadian and French-Canadian. Rochester, NY: Camden House, 2008. Print.
[23] Ross, Sinclair. As For Me and My House. Toronto: McClelland and Stewart, 1989. Print.
[24] Schwartz, Daniel R. Reconfiguring Modernism. Exploration in the Relationship between Modern Art and Modern Literature. MacMillan, 1997. Print.
[25] Scott, Duncan Campbell. "The Onondaga Madonna" and "Watkwenies" Canadian Poetry From the Beginning Through the First World War. Eds. Carole Gerson and Gwendolyn Davies. Toronto: McClelland & Stewart, 1994. 269, 270.
[26] Shadbolt, Doris, ed. The Complete Writings of Emily Car. Vancouver, Toronto: Douglas and McIntyre, 1997. Print.
[27] Tambiah, Stanley J. "Transnational Movements, Diaspora, and Multiple Modernities." Multiple Modernities. Spec. issue of Daedalus. Journal of the American Academy of Arts and Sciences 129.1 (Winter 2000): 163–194. Print.
[28] Taylor, Charles. Sources of the Self. The Making of Modern Identity. Cambridge, Massachusetts: Harvard University Press, 1989. Print.
[29] Trehearne, Brian. Aestheticism and the Canadian Modernists. Aspects of a Poetic Influence. Kingston, Montreal, London: McGill–Queen's University Press, 1989. Print.
[30] Udall, Sharyn Rohlfsen. Carr, O'Keeffe, Kahlo. Places of Their Own. New Haven–London: Yale University Press, 2000. Print.
[31] Williams, Raymond. The Politics of Modernism. Against the New Comformists. 1989. Ed. Tony Pinkney. London–New York: Verso, 2007. Print.
[32] York, Lorraine. "English-Canadian Poetry, 1920–1960." Nischik 159–173.
[2] Bergonzi, Bernard. The Myth of Modernism and Twentieth Century Literature. Brighton: The Harvester Press, 1986. Print.
[3] Bradbury, Malcolm, and James McFarlane, eds. Modernism 1890–1930. Penguin Books, 1976. Print.
[4] Breitbach, Julia. "Politics and Literature between Nationalism and Internationalism." Nischik 149–158.
[5] Brooker, Peter, and Andrew Thacker, eds. Geographies of Modernism. Literatures, cultures, spaces. London, New York: Routledge, 2005. Print.
[6] Carr, Emily. Growing Pains. Shadbolt 293–471.
[7] Carr, Emily. Hundreds and Thousands: The Journals of an Artist. Shadbolt 653–893.
[8] Childs, Peter. Modernism. London and New York: Routledge, 2000. Print.
[9] Childs, Peter. Modernism and the Post-Colonial. Literature and Empire 1885–1930. New York: Continuum, 2007. Print.
[10] Crean, Susan, ed. Opposite Contraries. The Unknown Journals of Emily Carr and Other Writings. Vancouver, Toronto, Berkeley: Douglas and McIntire, 2004. Print.
[11] Dvorak, Martha. "The English-Canadian Novel and the Displacement of the Romance." Nischik 174–193.
[12] Fauchereau, Serge. Avant-gardes du XXe siècle. Arts et littérature 1905–1930. Flammarion, 2010. Print.
[13] Godard, Barbara. "El Greco in Canada: Sinclair Ross's As for Me and My House" (1981). Sinclair Ross's As for Me and My House. Five Decades of Criticism. Ed. David Stouck. Toronto: University of Toronto Press, 1991. 120–137. Print.
[14] Harris, Lawren. In the Ward. His Urban Poetry and Paintings. Ed. Gregory Betts. Holstein: Exile Editions, 2007. Print.
[15] Huyssen, Andreas. "Geographies of Modernism in a Globalizing World." Brooker and Thacker 6–18.
[16] Klein, A. M. Selected Poems. Ed. Zailig Pollock, Seymour Mayne, and Usher Caplan. Toronto: University of Toronto Press, 1997. Print.
[17] Lauzon, Gilles, and Jean-François Leclerc. "Le coeur de la métropole dans le vieux Montréal 1880-1950." L'histoire du Vieux-Montréal à travers son patrimoine. Eds. Gilles Lauzon and Madeleine Forget. Montréal: Les Publications du Québec, 2004. 199–245. Print.
[18] Matthews, Steven. Modernism. London: Arnold, 2004. Print.
[19] Matthews, Steven, ed. Modernism. A Sourcebook. Palgrave Macmillan, 2008. Print.
[20] Murray, Joan. Lawren Harris. An Introduction to His Life and Art. Firefly Books, 2003. Print.
[21] Newlands, Anne. Emily Carr. An Introduction to Her Life and Art. Firefly Books, 2002. Print.
[22] Nischik, Reingard, ed. History of Literature in Canada. English-Canadian and French-Canadian. Rochester, NY: Camden House, 2008. Print.
[23] Ross, Sinclair. As For Me and My House. Toronto: McClelland and Stewart, 1989. Print.
[24] Schwartz, Daniel R. Reconfiguring Modernism. Exploration in the Relationship between Modern Art and Modern Literature. MacMillan, 1997. Print.
[25] Scott, Duncan Campbell. "The Onondaga Madonna" and "Watkwenies" Canadian Poetry From the Beginning Through the First World War. Eds. Carole Gerson and Gwendolyn Davies. Toronto: McClelland & Stewart, 1994. 269, 270.
[26] Shadbolt, Doris, ed. The Complete Writings of Emily Car. Vancouver, Toronto: Douglas and McIntyre, 1997. Print.
[27] Tambiah, Stanley J. "Transnational Movements, Diaspora, and Multiple Modernities." Multiple Modernities. Spec. issue of Daedalus. Journal of the American Academy of Arts and Sciences 129.1 (Winter 2000): 163–194. Print.
[28] Taylor, Charles. Sources of the Self. The Making of Modern Identity. Cambridge, Massachusetts: Harvard University Press, 1989. Print.
[29] Trehearne, Brian. Aestheticism and the Canadian Modernists. Aspects of a Poetic Influence. Kingston, Montreal, London: McGill–Queen's University Press, 1989. Print.
[30] Udall, Sharyn Rohlfsen. Carr, O'Keeffe, Kahlo. Places of Their Own. New Haven–London: Yale University Press, 2000. Print.
[31] Williams, Raymond. The Politics of Modernism. Against the New Comformists. 1989. Ed. Tony Pinkney. London–New York: Verso, 2007. Print.
[32] York, Lorraine. "English-Canadian Poetry, 1920–1960." Nischik 159–173.