Rok
2017
Rok vydání
2017
ISSN
1212-0391 (print)
2336-436X (online)
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136920
Ústav FF MU
Obor
Obsah:
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5-16 | Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music Landy, Leigh | ![]() |
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17-27 | Roelof Vermeulen at Philips : a search for space in music Tazelaar, Kees | ![]() |
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29-41 | Slippery bows and slow circuits Richards, John | ![]() |
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43-52 | Everyone can be composer today – full stop or question mark? Rataj, Michal | ![]() |
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53-61 | Melodic segmentation: structure, cognition, algorithms Cenkerová, Zuzana | ![]() |
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63-68 | Technology or theology? : music beyond technology Flašar, Martin | ![]() |
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69-78 | Arnold Schönberg and musica artificiosa : a rationality in the musical composition Fulka, Vladimír | ![]() |
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79-87 | Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance Ladič, Branko | ![]() |
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89-100 | C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch Rabinovitch, Gilad | ![]() |
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101-116 | New media and the work of Slovak composer Tadeáš Salva Ščepán, Michal | ![]() |
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117-126 | Music criticism in nineteenth-century England: how did it become a profession? Watt, Paul | ![]() |
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127-137 | The role of technology in the aesthetics of postwar serial music Zagorski, Marcus | ![]() |
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139-147 | Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser Armand, Louis | ![]() |
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149-153 | Musica practica according to Roland Barthes Cseres, Jozef | ![]() |
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155-168 | Listening to art on a seabed Horáková, Jana | ![]() |