Musicologica Brunensia 2017, roč. 52, č. 1

Rok

2017

Rok vydání

2017

ISSN

1212-0391 (print)

2336-436X (online)

Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/136920

Ústav FF MU

Ústav hudební vědy

Obor

Obsah:

Úvodní stránky

hidden section Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music
Page	Title
5-16	Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music Landy, Leigh \|

hidden section Roelof Vermeulen at Philips : a search for space in music
Page	Title
17-27	Roelof Vermeulen at Philips : a search for space in music Tazelaar, Kees \|

hidden section Slippery bows and slow circuits
Page	Title
29-41	Slippery bows and slow circuits Richards, John \|

hidden section Everyone can be composer today – full stop or question mark?
Page	Title
43-52	Everyone can be composer today – full stop or question mark? Rataj, Michal \|

hidden section Melodic segmentation: structure, cognition, algorithms
Page	Title
53-61	Melodic segmentation: structure, cognition, algorithms Cenkerová, Zuzana \|

hidden section Technology or theology? : music beyond technology
Page	Title
63-68	Technology or theology? : music beyond technology Flašar, Martin \|

hidden section Arnold Schönberg and musica artificiosa : a rationality in the musical composition
Page	Title
69-78	Arnold Schönberg and musica artificiosa : a rationality in the musical composition Fulka, Vladimír \|

hidden section Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance
Page	Title
79-87	Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance Ladič, Branko \|

hidden section C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch
Page	Title
89-100	C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch Rabinovitch, Gilad \|

hidden section New media and the work of Slovak composer Tadeáš Salva
Page	Title
101-116	New media and the work of Slovak composer Tadeáš Salva Ščepán, Michal \|

hidden section Music criticism in nineteenth-century England: how did it become a profession?
Page	Title
117-126	Music criticism in nineteenth-century England: how did it become a profession? Watt, Paul \|

hidden section The role of technology in the aesthetics of postwar serial music
Page	Title
127-137	The role of technology in the aesthetics of postwar serial music Zagorski, Marcus \|

hidden section Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser
Page	Title
139-147	Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser Armand, Louis \|

hidden section Musica practica according to Roland Barthes
Page	Title
149-153	Musica practica according to Roland Barthes Cseres, Jozef \|

hidden section Listening to art on a seabed
Page	Title
155-168	Listening to art on a seabed Horáková, Jana \|