Displaying 51 - 75 of 108
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Merenus, Aleš.
Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 59–64.
Article
Janoušek, Pavel.
Bratří Čapkové. Lásky hra osudná. Drama o třech dějstvích (čas. 1911 – prem. 1920) : groteskní aktovka napsaná ve stylu komedie dell'arte, v níž se konfrontuje sen o lásce se silou sexu, světem nízkých intrik a mocí peněz. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 33–38.
Article
Fránek, Michal.
Zeyer, Julius. Radúz a Mahulena. Slovenská pohádka o čtyřech jednáních (čas. 1896 – prem. 1898) : pohádková hra o lásce silnější než kletba, zasazená do období slovenského dávnověku. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 19–26.
Article
Koblišková, Zuzana.
Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.
Article
Kunderová, Radka, Warstat, Matthias.
We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.
Article
Spurná, Helena.
The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969. Theatralia. 2018, vol. 21, iss. 2, pp. 161–172.
Article
Koblišková, Zuzana.
Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad. Theatralia. 2018, vol. 21, iss. 2, pp. 79–94.
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Koubská, Vlasta, Dušek, Jan.
Interview with Jan Dušek (13. 2. 2018). Theatralia. 2018, vol. 21, iss. 2, pp. 173–181.
Article
Koubská, Vlasta.
Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.
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Stehlíková, Eva.
How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.
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Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
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Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
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Warstat, Matthias.
Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.
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Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
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Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
Article
Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
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Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
Article
Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
Article
Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
Article
Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.