Displaying 76 - 100 of 108
Article
Kačer, Tomáš.
České shakespearovské scénografie na pouti po USA. Theatralia. 2018, vol. 21, iss. 1, pp. 232–234.
Article
Škrobánková, Klára.
O politice, komunitní angažovanosti a doktorském studiu. Theatralia. 2018, vol. 21, iss. 1, pp. 230–231.
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Marschall, Brigitte.
Umění a revoluce: Vídeňský akcionismus. Theatralia. 2018, vol. 21, iss. 1, pp. 252–266.
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Skříčková, Eva.
Osudy a ohlasy hry Šest postav hledá autora Luigiho Pirandella v českých zemích ve dvacátých letech. Theatralia. 2018, vol. 21, iss. 1, pp. 150–162.
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Havlíčková Kysová, Šárka.
Opera v současném světě. Theatralia. 2018, vol. 21, iss. 1, pp. 191–196.
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Kubart, Tomáš, Czirak, Adam.
Umění má "komunikativní rozměr mlčení" : rozhovor s Adamem Czirakem. Theatralia. 2018, vol. 21, iss. 1, pp. 181–185.
Article
Kašparová, Barbora.
Tanztheater – taneční divadlo (nevšední) všednosti: od Kurta Joosse k Pině Bausch. Theatralia. 2018, vol. 21, iss. 1, pp. 89–112.
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Kubart, Tomáš.
A co když je to performance?. Theatralia. 2018, vol. 21, iss. 1, pp. 187–190.
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Poláčková, Eliška.
Několik poznámek k teatralitě (českého) středověku. Theatralia. 2018, vol. 21, iss. 1, pp. 53–70.
Article
Stehlíková, Eva.
How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.
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Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
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Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
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Warstat, Matthias.
Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.
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Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
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Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
Article
Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
Article
Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
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Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
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Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
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Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
Article
Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.