Displaying 126 - 150 of 329
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Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011 : programme. Theatralia. 2012, vol. 15, iss. 2, pp. 9–12.
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Toro, Fernando de.
The legacy of the Linguistic Circle of Prague. Theatralia. 2012, vol. 15, iss. 2, pp. 24–36.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.
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Brandesky, Joseph E..
Kateřina Miholová. Reproductions of twentieth century Czech theatre in context: The Coming to Wisdom of Don Quixote (1914) and Julius Caesar (1936). Theatralia. 2012, vol. 15, iss. 2, pp. 189–191.
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Drábek, Pavel.
John Russell Brown. Studying Shakespeare in performance. Theatralia. 2012, vol. 15, iss. 2, pp. 194–196.
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Příhodová, Barbora.
Donatella Barbieri. Encounters in the Archive. Theatralia. 2012, vol. 15, iss. 2, pp. 207–209.
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Drábek, Pavel.
Alice Dubská. The travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries. Theatralia. 2012, vol. 15, iss. 2, pp. 206–207.
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Puchner, Walter.
Jiří Veltruský. An approach to the semiotics of theatre. Theatralia. 2012, vol. 15, iss. 2, pp. 220–226.
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Havlíčková Kysová, Šárka.
"Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.
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Šlaisová, Eva.
"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.
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Schmid, Herta.
The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.
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Meerzon, Yana.
Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.
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Drábek, Pavel.
Launching a structuralist assembly : convening the scattered structures. Theatralia. 2012, vol. 15, iss. 2, pp. 13–23.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
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Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
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Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
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Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
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Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
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Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
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Földváry, Kinga.
Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.
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Volceanov, George.
Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.
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Pikli, Natália.
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 65–82.