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Displaying 51 - 75 of 108

Article
Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

Article
Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

Article
Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

Article
Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

Article
Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

Article
Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

Article
Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

Article
Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

Article
Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

Article
Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

Article
Štefanides, Jiří. Jak jsme na tom?. Theatralia. 2019, vol. 22, iss. 2, pp. 247–250.

Article
Kubart, Tomáš. "A teď jste všechno zkazili!" : CampQ. Theatralia. 2019, vol. 22, iss. 2, pp. 267–269.

Article
Ulrich, Paul S.. Die Dokumentation des deutschsprachigen Theaters in den böhmischen Ländern durch Theateralmanache und -journale. Theatralia. 2019, vol. 22, iss. 2, pp. 154–168.

Article
Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

Article
Vrbková, Jitka. Divadlo diverzity : Theater RambaZamba v Berlíně. Theatralia. 2019, vol. 22, iss. 2, pp. 194–220.

Article
Solčániová, Ivona. Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.

Article
Rudin, Bärbel. Christian Janetzky : die (Wieder-)Entdeckung des barocken Entertainers. Theatralia. 2019, vol. 22, iss. 2, pp. 79–92.

Article
Mikyšková, Anna. Z anglické renesance do německého baroka : cesta hry o sv. Dorotě z Anglie přes Český Krumlov do Švýcarska. Theatralia. 2019, vol. 22, iss. 2, pp. 107–122.

Article
Havlíčková, Margita, Neuhuber, Christian, Škrobánková, Klára. Das vielsprachige Theater Tschechiens in der Frühen Neuzeit : Vorwort, Editorial. Theatralia. 2019, vol. 22, iss. 2, pp. 7–11.

Article
Bulandrová, Amálie. Pražské Quadriennale scénografie a divadelního prostoru : Imaginace, transformace, reflexe. Theatralia. 2019, vol. 22, iss. 2, pp. 257–266.

Article
Merenus, Aleš. Editorial. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 7.

Article
Merenus, Aleš. Ediční poznámka. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 67–68.

Article
Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.