Displaying 51 - 75 of 82
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Wyrzykowska, Małgorzata.
Modernity and material value : the fascination with contemporary architecture in the light of travel literature from the 17th and first half of the 18th century. Opuscula historiae artium. 2020, vol. 69, iss. 1, pp. 2–17.
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Říhová, Vladislava, Křenková, Zuzana.
The earliest tomb mosaics from the production of Innsbruck-based companies in Bohemia and Moravia. Opuscula historiae artium. 2020, vol. 69, iss. 1, pp. 36–57.
Article
Sterba, Katrin.
Didactica picta : eine Untersuchung zur Bilddidaktik in der Jesuitenkirche in Olmütz. Opuscula historiae artium. 2020, vol. 69, iss. 1, pp. 18–35.
Article
Buchendorfer, Bettina.
Der Maler Anton Hertzog (um 1691/1692–1740) : Analysen und neue Erkenntnisse zu seiner Tätigkeit als Freskant. Opuscula historiae artium. 2020, vol. 69, iss. 2, pp. 104–123.
Article
Zapletalová, Jana.
The play Betrug der Allamoda and prints based on drawings and designs by Fabián Václav Harovník. Opuscula historiae artium. 2020, vol. 69, iss. 2, pp. 124–143.
Article
Slavíček, Lubomír.
"Die feinsinnig gewählte Galerie der Herrn Maximilian Kellner" : eine Sammlung alter Meister zwischen Brünn, Wien und Berlin. Opuscula historiae artium. 2020, vol. 69, iss. 2, pp. 170–201.
Article
Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
Article
Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
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Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
Article
Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
Article
Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
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Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
Article
Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.
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Meerzon, Yana.
The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.
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Musilová, Martina.
Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.
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Pożar, Przemysław.
The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.
Article
Havlíčková Kysová, Šárka.
Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.
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Osolsobě, Petr.
The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.
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Turzíková, Tereza.
On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.
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Maryška, Martin.
Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.
Article
Shurma, Svitlana.
I choose March': Les Kurbas, Avant-garde Berezil and Shakespeare : review of Irena R. Makaryk's Shakespeare in the Undiscovered Bourn (2004). Theatralia. 2020, vol. 23, iss. 1, pp. 163–167.
Article
Kačer, Tomáš, Volek, Emil, Pérez-Simón, Andrés.
Interview with Emil Volek and Andrés Pérez-Simón, translators of Zich's 'The Theatrical Illusion'. Theatralia. 2020, vol. 23, iss. 1, pp. 151–156.