Displaying 976 - 1000 of 1003
Article
Bulandrová, Amálie.
Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.
Article
Konývková, Tereza, Arntzen, Knut Ove.
Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.
Article
Vodička, Libor.
The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.
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Jochmanová, Andrea.
Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.
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Sajewska, Dorota, Sosnowska, Dorota.
Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.
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Lazorčáková, Tatjana.
Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.
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Motal, Jan.
Cognitive phenomenology: the promising pragmatic marriage of methodologies in the field of theatre studies?. Theatralia. 2016, vol. 19, iss. 2, pp. 59–75.
Article
Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
Article
Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
Article
Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
Article
Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
Article
Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
Article
Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
Article
Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
Article
Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.
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Škrobánková, Klára.
Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.
Article
Katritzky, M. A..
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.
Article
Anderson, Misty G..
Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.
Article
Graziano, Alba.
Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.
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Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
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Grant, Teresa.
"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.
Article
Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.