Displaying 26 - 37 of 37
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Urniežius, Rytis.
The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.
Article
Hruška, Viktor.
Profil nátrubkového nástroje z pohledu organologické systematiky založené na akustických vlastnostech. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 141–156.
Article
Spurný, Lubomír, Fančal, Petr.
Hudba a interpretace : k otázkám analýzy hudebního výkonu. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 109–120.
Article
Pantůček, Viktor.
... ten, kdo si je svou kulturní identitou jist, si může zahrávat i s pravidly kulturní hry... : metainspirace Jiřím Fukačem. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 49–56.
Article
Haas, Petr.
The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.
Article
Perutková, Jana.
Fukačovy výzkumy v oblasti staré hudby jako inspirace pro dnešek. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 27–41.