Displaying 27501 - 27525 of 27583
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Konývková, Tereza.
Z dolu do dolu: sémiotická esej o ostravských P(p)estrých vrstvách. Theatralia. 2015, vol. 18, iss. 1, pp. 50–61.
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Herman, Josef.
Programy ostravské polistopadové opery. Theatralia. 2015, vol. 18, iss. 1, pp. 116–128.
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Štefanides, Jiří.
Ostravské činoherní divadlo v procesu transformace po listopadu 1989. Theatralia. 2015, vol. 18, iss. 1, pp. 11–31.
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Krajník, Filip, Drábek, Pavel, Drozd, David, Mikyšková, Anna, Škrobánková, Klára.
Prolegomena k projektu Anglická divadelní kultura 1660–1737. Theatralia. 2019, vol. 22, iss. 2, pp. 270–273.
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Rozwalka, Zuzana.
Zeyerův "kjógen" Lásky div. Theatralia. 2019, vol. 22, iss. 2, pp. 169–193.
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Havlíčková Kysová, Šárka.
Performativita – výlučná schopnost člověka. Theatralia. 2019, vol. 22, iss. 2, pp. 243–245.
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Havlíčková, Margita, Blecha, Jaroslav.
Rozhovor s Jaroslavem Blechou. Theatralia. 2019, vol. 22, iss. 2, pp. 221–229.
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Bulandrová, Amálie.
Ohlédnutí za několika scénografickými publikacemi. Theatralia. 2019, vol. 22, iss. 2, pp. 231–242.
Article
Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
Article
Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
Article
Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
Article
Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
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Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
Article
Jochmanová, Andrea.
Lola Skrbková (1902–1978). Theatralia. 2022, vol. 25, iss. 1, pp. 189–203.
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Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
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Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
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Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
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Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
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Šalounová, Kateřina.
Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.
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Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
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Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
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Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
Article
Horoščák, Marek.
Royal Court Theatre, Londýn, červenec 2010 : (zpráva z tvůrčího pobytu s pokusem o mírný přesah). Theatralia. 2011, vol. 14, iss. 2, pp. 207–222.