Displaying 27276 - 27300 of 27571
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Polochová, Markéta.
William Shakespeare and his collaborators over the centuries. Ed. Pavel Drábek, Klára Kolínská, Matthew Nicholls. Theatralia. 2009, vol. 12, iss. 1-2, pp. 132–134.
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Musilová, Martina.
Bertolt Brecht: Kupování mosazi. Theatralia. 2009, vol. 12, iss. 1-2, pp. 136–137.
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Štefanides, Jiří.
Bohumil Hrabal: Hlučná samota, Ostrava 1984. Theatralia. 2009, vol. 12, iss. 1-2, pp. 154–156.
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Šotkovská, Jitka.
To tvoje divné srdce, Evuša moja!. Theatralia. 2009, vol. 12, iss. 1-2, pp. 107–115.
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Příhodová, Barbora.
Věra Ptáčková: Divadlo na konci světa. Theatralia. 2009, vol. 12, iss. 1-2, pp. 127–129.
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Lazorčáková, Tatjana.
O Evženu Sokolovském, brněnských inscenacích a polaritě divadla 60. let 20. století. Theatralia. 2009, vol. 12, iss. 1-2, pp. 120–126.
Article
Drábek, Pavel.
Český Shakespeare mezi normalizací a koncem milénia. Theatralia. 2009, vol. 12, iss. 1-2, pp. 64–78.
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Drábek, Pavel.
Milan Lukeš: Divné divadlo našeho věku. Theatralia. 2009, vol. 12, iss. 1-2, pp. 126–127.
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Hájková, Gabriela, Vodička, Libor.
Brno zdraví Prahu! : "Sametová revoluce" v Brně z pohledu teatrologie. Theatralia. 2009, vol. 12, iss. 1-2, pp. 34–58.
Article
Mikulová, Iva.
Představení Oddělení dějin divadla Moravského zemského muzea. Theatralia. 2017, vol. 20, iss. 2, pp. 161–162.
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Hanáčková, Andrea.
Akce je vhodná i pro Boha neznalé : sondy do amatérského náboženského divadla na Moravě po roce 1990. Theatralia. 2017, vol. 20, iss. 2, pp. 9–32.
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Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme. Theatralia. 2014, vol. 17, iss. 2, pp. 7–10.
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Musilová, Martina.
Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.
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Kačer, Tomáš.
Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.
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Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
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Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
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Drábek, Pavel.
Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.
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Ambros, Veronika.
Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.
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Kubart, Tomáš.
O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.
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Meerzon, Yana.
Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.
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Kostihová, Marcela.
In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.