Displaying 6001 - 6025 of 6066
Article
Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
Article
Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
Article
Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
Article
Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
Article
Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
Article
Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
Article
Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
Article
Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
Article
Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
Article
Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
Article
Kutal, Albert.
Les problèmes limitrophes de la sculpture tchèque au tournant de 1400. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1969, vol. 18, iss. F13, pp. 5–24.
Article
Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
Article
Spielmann, Petr.
Dessins, aquarelles, papiers collés et gouaches de Picasso en Tchécoslovaquie. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 241–258.
Article
Teyschlová, Lea.
Les travaux d'orfèvrerie sur les montres du 18e et 19e siècle : (quelques notices concernant la collection à la Galerie Morave). Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 209–215.
Article
Bureš, Jaroslav.
Bíňa and Vértesszentkereszt : (contribution to the problem of the area of rhineland classicism in Czechoslovakia). Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 19–26.
Article
Šíp, Jaromír.
Some remarks on a little-known masterpiece by Roelant Savery. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 165–169.
Article
Drobná, Zoroslava.
Quelques remarques sur l'Antiphonaire de Sedlec de 1414. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1968, vol. 17, iss. F12, pp. 39–48.
Article
Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
Article
Šík, Jan-Marek.
Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.
Article
Hanáčková, Andrea, Bojda, Tomáš.
Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
Article
Švachová, Romana.
Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.