Displaying 201 - 225 of 341
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Zapletalová, Jana.
The Florentine painter Giovanni Battista Ghidoni and his work in Tuscany and Moravia. Opuscula historiae artium. 2021, vol. 70, iss. 1, pp. 18–39.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Švachová, Romana.
How to '(not) Arrive': Hélène Cixous's and Sara Stridsberg's drama vs. appropriation. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 125–136.
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Jurkovičová, Alžbeta.
Don't sell tobacco to Dante: scribbled images of Tage Danielsson's Inferno. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 105–124.
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Šebek, Josef.
Social space, physical space, representation of space: spatiality and Bourdieu's theory of the literary field. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 7–21.
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Lughofer, Johann Georg.
Poetry Slam: heterogen und mehrsprachig im literarischen Feld. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 63–76.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
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Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.
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Škrobánková, Klára.
Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.
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Katritzky, M. A..
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.
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Anderson, Misty G..
Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.
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Graziano, Alba.
Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.
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Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
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Grant, Teresa.
"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.