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Displaying 6251 - 6275 of 6298

Article
Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Slavkova, Iveta. A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Bakoš, Ján. Kritiky ikonológie a Albert Kutal. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1979-1980, vol. 28-29, iss. F23-24, pp. 9–18.

Article
Bureš, Jaroslav. Bíňa and Vértesszentkereszt : (contribution to the problem of the area of rhineland classicism in Czechoslovakia). Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 19–26.

Article
Šíp, Jaromír. Some remarks on a little-known masterpiece by Roelant Savery. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 165–169.

Article
Bakoš, Ján. Poznámky o románskej nástennej maľbe na Slovensku. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1968, vol. 17, iss. F12, pp. 13–20.

Article
Bakoš, Ján. Epistemologický obrat na ceste historika umenia. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1990-1992, vol. 39-41, iss. F34-36, pp. 7–20.

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Rumánek, Ivan R. V.. Okuni sóši – medzižánrový doklad o prechode od nó ku kabuki. Theatralia. 2013, vol. 16, iss. 1, pp. 102–117.

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Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.

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Švachová, Romana. Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.

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Zálešáková, Tereza. Much ado about Disney?. Theatralia. 2019, vol. 22, iss. 1, pp. 126–128.

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Březinová, Helena. Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.

Article
Stehlíková, Karolína, Černík, Zbyněk. Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.